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i ‘ \ A Broadtail Coat, with Black and White Fox Collar and
‘ ‘\‘ Muff-Cuffs. (“Lucile” Model)
By Lady Duff-Gordon '
(“LUCILE")
ERE is, I think, one of the most attractive of the Win-
H ter coats. It is of broadtail trimmed with black and
white fox. It has the high collar and the “cuff-muffs.”
The hat is of black and white fox fur, with a big black
feather. The fashionable stick accents the dash of the cos
tume—but it is not necessary to carry the stick on the
avenue.
This is an example of the coats. A photograph in the
right hand corner is an example of the frills. And very
frilly indeed it is. This is a dress for a young lady. It is of
all cream lace, with mauve orchid slips of satin underneath
the lace. Notice the charming headdress.
1 have been asked why it is that although the new
dresses have yards and yards of material in them and are
expansive to the limit, still they have none of the effect of
heaviness which was so characteristic of the period that Is
their grandmotber’s. ’
The answer lies in the character of the material that is
used for these dresses. Although the tendency is toward
larger and larger skirts, it is counterbalanced by a tendency
toward the lightest and filmiest of fabrics. These, indeed,
are light almost to a gossamer degree. And so we get the
effect of fairy-like, airy lightness. The traditional ballet
girl skirts are many and wide, and yet there is nothing that
gives such an effect of airy lightness as these ballet skirts.
They are fluffs in the highest degree.
__ Wa are coming fast ‘o the fashions of Spring. [ venture
to predict that yod wil) find these wide skirts' fluffiness and
Joats an
f rillo
Py Sady
@uf(—gnré%
slack gros grain bordered all over with bright black satin
baby ribbon and then divided and decorated by a central
band of skunk, which fastens low down against the fore
head with a rather barbaric looking jewelled ornament of
big sapphires connected by testooned fringes of tiny blue
beads and finished off at the back with a fringe of tiny paws.
Then, those whose faces being slightly fuller require the
trame and the relief of a brim (wonderful what a difference
the merest suggestion of an outward curve can make!) are
in their turn provided with a little hat of black velvet on
which a wide encircling band of dull gold lace is narrowly
odged with skunk fur, both being effectively combined, too,
in the making of a central cocarde.
Still another of the most fashionable—and seasonable—
looking creations introducing the fur which now figures on
all outer, and some inner, garments, too, nowadays and
nights reverses this arrangement by dividing twe bands of
skunk with a central broidery of beads—jet or gray pearls
being both used with good effect, white cut steel is also per
misstble, quite a lot being used just now for such em
broidered devices and also for the making of quaint little
tasselled ornaments, the unexpected appearance of two
such shining and most piquantly placed tassels on a toque
of pure white ermine being, for example, quite sufficient to
mark it out as one of the newest and smartest of models.
But there is an even greater craze for gold. So you will
find an applique of shining lace, shaped somewhat like a
flower, outspreading in the very centre of a closely fitting
toque of black panne, while from its own heart of gold
there arises a wonderful black pasadise plume, more ob
vio\u‘ly costly than one would have expected to see this
war time.
A Very
Frilly
Cream
Lace
and
Orchid
Tea
Dress.
I“Lauecile”
Model)
ADY DUFF-GORDON,
L the famous “Lucile™ of
Londen, and foremost
creator of fashioms in the world.
writes each week the fashion ar
ncle for this newspaper, pre
senting all that u newest and
best in styles for well-dressed
women.
Lady Dufi-Gordon's Paris es
tablishment brings her into close
louch with that centre of fash
ion.
Lady Dufi-Gordon's Amen
can establishments are at Nos.
37 and 39 West Fifty-seventh
street, New York, ‘and No. 1400
Lake Shore Drive, Chicago
diaphanousness even
greater when the birds
begin to come back.
Just & few wo; 48 about
headdress novelties and
the use of fur for them.
There s, for Instance, a
charming toque whose
crown of flatly folded satin
flowers—of pure white or
delicate pink or faint
mauve—can be allied to
a bordering band of any
such soft flat fur as mole
skin, seal musquash or
broadtail, a definite con
trast of color being then
introduced by a plcquet
of tiny blossoms, whose
velvet petals will, perhaps,
be in orange and yellow
and purple, and the
leaves of a green brilliance
more usually associated
with gems than foliage.
It will be easy and ef
fective to match any fur
trimmed or all-fur wrap
with a toque, and also
with another, fashioned of
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T e e
What has love to do with the matter?
OLD Don Mario had long coveted the
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“Marry me, Rosa-— the name of Don
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Esteban from death.”
ESLCLaII liVLIL U@l -—
Vs | ‘6 ¢ ’ » »
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