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14
STRONG
EYES
SURE
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Southern University of Music
GIRARD THIERS. KURT MUELLER, Directors
353 Peachtree St., Atlanta, Phones, Office Ivy 6490, Dormitory Ivy 4416
Eminent Faculty of European Specialists. Diploma and Certificate
courses. Dormitories. Write for catalog
HIGH PRICES FOR HOGS
Hogs are selling at a high price, and will continue to do
50 in the future. Dead hogs bring no money to the farmer.
Do not let your hogs die. Cure them of Cholera, keep
the worms out of them, keep their blood in good condition,
and make them thrifty, by the use of the Remedy manu
factured by The Snoddy Remedy Company, of Alton, 111.
A $5.00 case cures 50 hogs. We want to tell you how to do
it. Send for our Free Booklet of incalculable value to the
farmer. Free for the asking. We want agents everywhere.
SNODDY REMEDY COMPANY, 121 Alby Street, Alton, 111.
, To follow the use of Leonardi’s Golden Eye Lotion. Will remove ir
i ritatiou and heal Inflammation in one day. Cooling, strengthening.
It makes eyes strong —Leonardi’s does. Satisfaction or money back.
At druggists for 25c., or sent postpaid on receipt of 30c. by S. B.
Leonard! & Co., Tampa, Fla.
L. W. ROGERS CO., Dis
THE GOLDEN AGE FOR WEEK OF SEPT. 18
From the music studio
Conducted by Albert Gerard-Thiers.
This department of questions and answers, through which music lovers and
students of music may be brought in coontact with one of the foremost teach
ers in the South, is published every week. Any one interested in music,
either vocal or instrumental, may submit questions to Mr. Gerard-Thiers.
The only requirements are that they be concise, written In good faith and
signed by the sender . They will be answered, through this department only,
as promptly as possible and in the order received, the editors reserving the
right to select such as they deem of sufficient importance. All letters should
be addressed tc Albert Gerard-Thiers, care of The Golden Age.
THE SHORTEST METHOD
Which is the shortest method in
voice culture, the German, French or
Italian? I am studying but I never
seem to get anywhere.
Send me a self-addressed stamped
envelope and I will send you my little
book, “Technique of Normal Voice
Production.” This method is short
insomuch as formerly where it took
ten years to arrive at Normal Voice
production, a student today can get
the same result in two years time.
Europeans consider us a nation of
quick lunch people, but while quick
lunches have their bad effects, they
certainly save much time, by sifting
the wheat from the chaff; our object
today is to find only the wheat, cast
ing aside as worthless the traditional
husks, from which only a few have
ever been able to extract any nutri
tive quality.
TO MAKE THE VOICE CARRY
How can I make my voice carry?
My voice seems big enough in a small
room, but it does not show up in a
large place. J. K.
To make the voice carry, it is neces
sary to develop head quality. Do not
force the voice even if you are in a
large place, for the largest thread of
head quality can be heard in the
largest auditoriums if the accoustics
are good. If this is not su—ciently
comprehensive write me again. If
your voice is of a pleasing quality and
you have the long of song, there is
no good reason why you should not
cultivate it. Natural voices are al
most weak before cultivation. Do
not imitate other singers when learn
ing, but cultivate your own individ
uality. Your compass w’ll increase
in a short time under good instruction.
STAND STILL AND GO FORWARD.
(Continued from page 2.)
to come, and my conscience was con
victed before God. How d’d I get rid
of that host, by fight’ng them? Not
that. But God gave me the rod of
faith in the blood of Christ. All I had
to do was just to I'ft that rod before
God and all my guilt was gone, all
the Egyptians were destroyed. There
comes a time when we ought to go
forward. It is not all quite. It is the
quiet with a view to go forward.
“Why criest thou unto Me.” When
you are standing still all you can do
is to cry. Sometimes the Lord makes
us stand still that He may g’ve us
an opportunity to cry. I am glad to
tell our invalid members they are the
most useful folks in the church, the
rest are so busy, we forget to cry,
forget to pray. God keeps these
High Priests in the quiet Holy of
Holies. Out of the quiet sometimes
there goes more power than from
the public meeting.
HOARSENESS
After singing a short, time I become
hoarse. What is the matter?
S. W. A.
If you are hoarse after singing
your voice is not properly placed.
You probably sing too long at a time
which is bad even for the voice well
placed. One should guard against
forcing, for it takes, the bloom, so to
speak, off the voice and is so un
necessary if one but use the dia
phragm as a voice or breath pro
peller.
EMBELLISHMENT
Please give me an example of em
bellishment. S. E. B.
The celebrated Una Voce poco fa”
from Barer of Seville, contains ex
amples of Italian embellishment at its
best. If you ever have the opportun
ity to hear Sembrich sing this opera,
do so, for she is one of the greatest
artists of our time and once heard
you will never forget her.
The Money Guy—Your prospectus
of the Wingless Airship Company
looks very promising, but you don’t
say how you expect to overcome the
law of gravity.
The Promoter —That’s up to our
legal department. We shall insist
that the law is unconstitutional.
POTATOES ANO PIANOS.
You wouldn’t think that there is any
thing in common between potatoes and
pianos, would you? But there is.
For example, the Mayor of ludion
apolis, Ind., found that the produce
dealers were forcing the people cf his
city to pay about three times as much
for potatoes as they cost on the farm.
They were simply fleecing the public.
As the poor people of his city almost
live on potatoes he decided to stop it.
He went to the farmers and bought po
tatoes in carload lots, shipped them to
the city and sold them from wagons
on the streets. He saved the citizens
thousands of dollars and yet the farm
ers got just as much for their potatoes
as before. The Mayor became very
popular with the people, but not with
the produce dealers.
It is the same way with pianos, for
The Golden Age Piano Club works on
identically the same principle. Instead
of going to the farm for carload lots of
potatoes we go to the factory for eight
carload lots (100) of pianos. If you
see the point write for your copy of
the Club catalogue, which explains
how you can join with ninety-nine oth
er subscribers and benefit by the big
wholesale transaction. The Club will
save you over one hundred dollars on
your piano or self-player piano and
give you better quality, stronger guar
antees and easier terms. Address the
Managers, Ludden & Bates, Golden
Age Piano Club Dept., Atlanta, Ga.