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THURSDAY, AUGUST 8, 1963 GEORGIA BULLETIN PAGE 7
IN BASEBALL
Catholic Profiles
BY RONDEL
KARL BARTH
Living up to advance publicity and super-star billing is often
the hardest part of being a major-league bonus baby. The few
that are able to overcome the pressure often go on to actually
become super-stars. One such player is youthful Carl Yastraz-
emski of the Boston Red Sox.
When Yastrzemski first arrived on
the big league scene in 1961, he was
billed as a super-star. Many went so
far as to claim him a worthy successor
to the departing Ted Williams.
Tales of Yastrzemski’s hitting and
fielding feats were available in detail
for gullible fans to divulge and eval
uate.
Carl, who was born in the year that
Williams was breaking in with the Red Sox was a very unlikely
looking successor to the immortal Williams. Signed for a $100,000
bonus, Yaz stands only 5’11 and tips the scales at a meager
172, in contrast to Ted's hulking 6*4, 2001b. frame.
Also, Yaz is nowhere near Williams in the power class.
Where Williams was noted for his homers, Yaz is noted for his
singles, doubles and tremendous speed. Where Ted hated to take
the field, Yaz enjoys playing defense as much as he does hitting.
His fielding is far better than Williams’ ever was and his arm
is among the strongest in the loop.
During his first season in the American league young Carl lived
under constant pressure. He was being cast in the shadow of the
now retired ff9. He was forced to produce.
The result was that a mid-season Yastrzemski was hitting
only .210. An anemic figure in any league, and especially so if you
stop to consider that this was the highest priced rookie in Fenway
park history, and the man picked to succeed Williams, no less.
Red Sox skipper Mike Higgins made perhaps the most valu
able contribution to Carl during the 1961 campaign when he re
assured the southpaw swinger of his ability by keeping him in the
third spot in the batting order.
“You’re my leftfielder,” Higgins told him. "Don’t worry about
your hitting. It’ll come around." And come around it did. During
the last two months of the *61 campaign Carl hit at a .385
clip to bring his freshman mark up to an unspectacular, yet
creditable .266.
A star at Notre Dame University, Carl gives the impression
of being an easy going, happy-go-lucky guy. But to people who
know him, as his roomate Chuck Schilling, Carl is a worrier.
He worries about slumps, living up to his billing, his family,
and practically everything under the sun.
No one knows Carl like his roomie Schilling. They have played
and roomed together since Carl was at Minneapolus in 1960.
These two, are, in the truest sense of the word, inseperable.
At the end of an inning in thefield. Schilling lags a little in order
that he and Yaz might jog to the dugout together. On the way out
Chuck often runs a little past his position so that they might ex
change a few more words.
Carl Yastrzemski is one of the main reasons for the Boston Red
Sox being in the first division. He is, at present, the best left-
fielder in the American league. The only other who can approach
him is Tom Tresh of the Yankee's.
A fierce determination and will to win burns inside Carl
Yastrzemski. He is a team man. He plays to win and hates to
lose. To Carl, winning isn’t everything, its the only thing.
An aggressive ballplayer, Yastrzemski is also an extremely
exciting player. He charges ground balls much the way Willie
Mays does, and scoops them up and throws much the way Mel
Ott or Tris Speaker did. He plays left field with the belief that
anything hit that way that does not go out of the park, he should
catch.
Last season 15 runners were victimized by his strong, ac
curate arm. Before the end of May this season Carl had nine-
assists.
During the early months of the current season Yaz was pacing
thf junior circuit in batting average, and was among the leaders
in rbi’s. In *62 Carl knocked in 94 runs and socked 19 homers while
batting .296.
A notorious slow starter this mightfinally be the season he
begans to live up to that super-star billing. He has been hover
ing around the .325 mark so far. With a little more luck and very
few slumps he hopes to hoist it to around .340.
Carl resents 1 being compared to Williams, but if he finishes
near the .340 mark people are going to talk, and you know what
they’re going to be saying. “Shades of Ted Williams."
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Council Challenges
Protestant Renewal
GENEVA (RNS)—While the
Second Vatican Council has pre
sented an opportunity for new,
meaningful Catholic- Protes
tant conversations, it has had
the even more important effect
of emphasizing need for self-
renewal among non-Roman Ca
tholic Churches, according to
the noted Swiss theologian, Dr.
Karl Barth.
Writing in the current is
sue of The Ecumenical Review,
a quarterly published here by
the World Council of Churches,
Dr. Barth stressed the “land
slide. . .‘spiritual’ movement”
within Catholicism and its
meaning to non-Catholic Chur
ches.
HE NOTED the “very re
markable beginning” of con
tacts between religion that have
been made and agreed that “the
question about the continuation
of such contacts is sensible and
definitely worthwhile.”
At the same time, he said,
questions exist “whether it is
not more important and im
perative for us of 'another
faith’ to direct our attention.
..(to the Catholic movement to
ward inner renewal)...instead
of being so formally concern
ed with future contacts."
"The way to unity’ of the
church can only be the way of
her renewal,” Dr. Barth wrote.
“But renewal means repen
tance. And repentance means
turning about: not the turning
of those others, but one’s own
turning.
“IS NOT the problem posed
for the World Council of Chur
ches by the Roman Council one
of repentance and so of renewal
of our Churches, of all the non-
Roman Churches assembled in
the World Council?
“And is not the continuation
of our conversations with the
others a secondary problem do-
minated by the primary one?
This is the question...which
seems to me to be the burning
question with respect to the
conclusion of the Council, and,
in fact, far beyond this.”
Dr. Barth noted steps toward
Catholic renewal through Vati
can Council discussions on
“Scripture and Tradition,” in
“more industrious...preaching
in Roman congregations,” in
the movements for congrega
tional participation in the Mass
and for liturgical reform, “ex
tending even to the architec
ture of the churches.”
THE present situation, he
said, poses questions for non-
Cathollcs. These are not “whe
ther we could, should or would
wish to become 'Catholic', but
we are asked whether, in view
of the spiritual motion that is
taking place there, something
has been set in motion—or not
set in motion — on ‘our’ side
in the rooms of ‘our’ Church.”
He critically cited “all too
many offensive movements that
have made no progress" among
non-Catholic Churches, incom
patibility among denominations
theologically and politically,
and pointedly questioned many
instances of dissension, includ
ing a query to “American
Christianity" which “seems in
wardly incapable of measuring
up t# the problem of integra
tion...”
IN THIS situation, Dr. Barth
asked, “on what topic and in
what language do we propose to
continue those discussions
which have been hoped for with
Roman Catholics?
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“How would things look if
Rome (without ceasing to be
Rome) were one day simply to
overtake us and place us in the
shadows, so far as the renew
ing of the church through the
Word and Spirit of the Gospel
is concerned?
"What if we should discover
that the last are first and the
first last, that the voice of the
Good Shepherd should find a
Vets To Meet
MIAMI BEACH, Fla. (NC)~
The 28th annual national con
vention of the Catholfc War Vet
erans will be held August 18
to 25 at the Fontainebleau Ho
tel here.
clearer echo over there than
among us?”
Concerning the “external
world,” he noted that while the
World Council has made many
important statements on human
rights, the United Nations, peace
and disarmament, the “voice of
Rome” has made a greater
world impression than the
“voice of Geneva.”
HE OBSERVED that in ex
ternal affairs “we might be
left far behind by a papal Church
that is making a dynamic recov
ery” and asked; “Will we also
have to witness Rome’s
achievement of a Christian
standpoint on the East-West
conflict, one which is freer
and more productive of world
peace, before we achieve this?”
Msgr. Raymond J. Gallagher
(above), secretary of the
U. S. National Conference of
Catholic Charities will be
among the speakers at the
world congress of the Cath
olic International Union for
Social Service. More than
1,000 delegates are expected
at the meetings to be held at
Nijmegen, The Netherlands,
Aug. 24 to 30.
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CLASS A — Section I — Morally Unobjectionable for General Patronage
".IVIIWID THIS ISSUE
King Kong vs. Godzilla—U-I Savage Sam—Buena Vista
Nutty Professor, The—Para 13 Frightened Girls-—Col.
PREVIOUSLY REVIEWED
It’s Only Money—Para.
Jason and the Argonauts—Col.
Joseph and His Brethern—(Ital.)—Colorama
tjumbo—MGM
Kill or Cure— (Br.) — MGM
Lafayette—Maco Films
Legend of Lobo—Buena Vista
Lilies of the Field—UA
List of Adrian Messenger—U-I
Longest Day, The—Fox
Make Way for Lila—Parade Releasing
Man From the Diner’s Club—Col.
-Marco Polo—Am. Inti.
t Mirade of the White Stallions—Buena Vista
My Six Loves—Para.
Mysterious Island—Col.
Mystery Submarine—U-I
Nikki, Wild Dog of the North—Buena Vista
No Man Is An Island-U-I
No Place Like Homicide (Br.)—Embassy-
Papa’s Delicate Condition—Para.
Password Is Courage—MGM
Phantom of the Opera—U-I
Phantom Planet—Am. Inti.
Pied Piper ol Hamelin—Prod. Unlimited
Pirates of Tortuga—Fox
PT 109-War.
Purple Hillt—Fox
Queen of the Pirates—Col.
Alakaxam, The Great—Am. Inti.
Almost Angels—Buena Vista
Bear, The (Fr.)—Embassy-
Black Gold—War.
Boy Who Caught a Crook (Was: Boy Who
Found $100,000)—UA
Capture That Capsule—UA
Cattle King—MGM
Coming Out Party (Br.)—Union
Constantine and the Cross—Embassy
Damon and Pythias—MGM
Damn the Defiant (Br.)—Col.
Day Mars Invaded the Earth—Fox
Demist in the Chair, A (Br.)—Ajay Film Co.
Drums of Africa—MGM
Escape from East.'Bcrlin—MGM
55 Days at Peking—AA
Five Weeks in ,a Balloon—Fox
Flight That Disappeared—UA
Flipper—MOM
Francis of Assisi—Fox
Gathering of' Eagles—U-I
Gay Purree—'War.
Great Escape—UA
Great Van Robbery—UA
Heroes Island—UA
Honeymoon Machine—MGM
tHow The West Was Won—MGM
In Search of the Castaways—Buena Vista
Invasion Quartet—MGM
CLASS A — Section II
Raven, The—Am. Inti.
Reluctant Saint—Col.
Reptilicus—Am. Inti.
Sergeant Was a Lady—U-I
Seven Seas to Calais—MGM
Snake Woman—UA
Son of Flubber—Buena Vista
Summer Magic—Buena Vista
Swordsman of Siena—MGM
Tammy and the Doctor—U-I
Tarran Goes to India—MGM
Teenage Millionaire—UA
Thief of Baghdad—MGM
300 Spartans—Fox
30 Years of Fun—Fox
Three Stooges in Orbit—Col.
Titans, The—UA
Trojan Hors* (Ital.)—Colorama
Two Daughter* (Indian)—Janus
Ugly American—U-I
Vslley of the Dragons—Col.
Voyage to the Bottom of the Sea—Fox
We’ll Bury You—Col.
When the Clock Strikes—UA
Wild Westerners—Col.
Wonderful World of the Brothers Grimm—
MGM
You Hive to Run Fast—UA
Young Guns of Texas—Foa
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Call Me Bwana—UA
■All Night Long—Colorama
Amazons of Rome (was: Virgins of Rome)
(Ital.)—UA
Antigone (Greek)—Ellis Films
Atlantis, the Lost Continent—MGM
Billy Budd-AA
Birds, The—U-I
Black Zoo—AA
Bridge to the Sun—MGM
•Castilian, The—War.
Cat Burglar—I’A
Centurion (Ital)—Altura Films
Child Is Waiting, A-UA
Come Fly With Me—MGM
Convicts 4 (was Reprieve)—A A
Court Martial (Ger.)—UA.
Courtship of Eddie’s Father—MGM
Cow and I, The (Fr.)—Zenith Inti.
David and Lisa—Continental
Day of the Triffids—AA
Days of Wine and Rose*—'War.
Devi (Ind.)—Harrison
Devil at 4 O'Clock—Col (Ind.)
Diary of a Madman—UA
Donovan’s Reef—Para.
Dr. Blood's Coffin—UA
-Morally Unobjectionable (or Adults and Adolescents
REVIEWED THIS ISSUE
•Erik, The Conqueror—Am. Inti.
Young Racers, The—Am. Inti.
PREVIOUSLY REVIEWED
Duel of the Titans—Para.
Plectra—UA
Everybody Go Home (Ital )—Davis-Royal
Flame in the Streets (Br.)—Atlsntic
Four Days of Naples (Ital.)—MGM
40 Pounds of Trouble—U-I
Frantic (Fr.)—Times Film Corp
Fury of the Pagans—Col.
Girls, Girls, Girls—Para.
Good Soldier, Schweik (Ger )—Lioncx
Guns of Darkness—War.
Hook, The—MGM
House of the Damned—Fox
Huns, The (Ital.)—Altura Films
It Happened at the World's Fair—MGM
Lawrence of Arabia—Col,
Lazarillo (Spanish)—Union Films
Lion, The—Fox
Long Absence (Fr.)—Commercial Pictures
Loves of Salammbo—Fox
Matter of Who (Br.)—Cardinal
Miracle Worker—UA
Murder on the Campus (Br.)—Colorama
Mutiny On the Bount)—MGM
Naked Edge-UA
Paranoiac—U-I
Play It Cool—AA
Pirates of Blood River—Col.
Pit and the Pendulum—Am. Inti.
Playboy of the Western World— (Br.)—Janu:
Requiem for a Heavyweight—Col.
Samson and the Seven Miracles of the Work
Am. Inti.
Sardonkus—Col.
Savage Guns—MGM
Scream of Few—Col.
Secret of Deep Harbor—UA
Shame of the Sabine Women (Ital.)—U.P.R.C
Showdown—U-I
Slave, The—MGM
Stagecoach to Dancer’s Rock—U-I
Sword of the Conqueror—UA
Taras Bulba—UA
tTo Kill a Mockingbird—U-I
Trunk, The—Col.
Twenty Plus Two—AA
Twice Told Tales—UA
Two Tickets To Paris—Col.
Weekend With Lulu—Col.
Werewolf in a Girls' Dormitory—MGM
Yellow Canary—Fox
Young Doctors—UA
CLASS A
Ada—MGM
Armored Command—AA
Baltic Express (Pol)—Telepix Corp.
Battle of Stalingrad (Swed.)—Trans-Lux
Big Risk, The (Fr,)—UA
Breakfa»t At Tiffany's—Para.
Bye, Bye, Birdie—Col.
Caretakers—U A
Cairo—MGM
California—Am. Inti.
Ciaudelle Inglish—War.
Come Blow Your Horn—Para.
Come September—U-l
Corridors ol Blood —MGM
Couch, The—War.
•Crime Does Not Pay (Fr.)—Embassy
Critic’s Choice—War.
Crooks Anonymous (Br.)—Janus
Day in Court, A (Ital.)—Ultra Films
Dime With A Halo—MGM
Fatal Desire—Ultra Films
Five Miles to Midnight-UA
Great War, The—Lopert
Hud-Para.
Hustler, The—Fox
I Could Go On Singing—UA
In the Cool of the Day—MGM
Arturo’s Island—(Ital.)—MGM
Back Street—U-I
Bloody Brood, The—Patht-Am.
Candid*—(Fr.)—Union Films
Chapman Report—'War.
Day the Earth Caught Fire—U-I
•Diamond Head—Col.
Dr. No—UA
Explosive Generation—UA
Firebrand, The-Fox
Five Minutes To Live—Pathe-Am.
Follow the Boye—MGM
Force of Impulse—Pathe-Amerlce
Free, White and 21— Am. Inti.
Frightened City, The—AA
Girl Named Tamiko, A—Para.
Goodbye Again—UA
Gypsy—War.
Head, The—Trans-Lux
House of Fright (was:
Jekyll)— Amer. Inti.
House of Women—War.
Island of Love—War.
Section III — Morally Unobjectionable for Adult*
PREVIOUSLY REVIEWED
If a Man Answers—U-I
I Thank a Fool—MGM
Love and Larceny (Ital.)—Major Films
Love at Twenty (Fr.)—Embassy
Love Is a Ball—UA
Lovers of Teruel—(Fr.)— Continental
Magnificent Sinner—F'ilm-Mart, Inc.
Manchurian Candidate—UA
Marriage of Figaro (Fr.)—Union Films
Married Too Young—Headliner
Mind Benders, The—Am. Inti.
Money, Money, Money (FY.)—Times Film
Corp.
Monkey in the Winter (Fr.)—MGM
Nine Hours to Rama—Fox
One Plus One—Selected Pics.
Panic in Your Zero—Am. Inti.
Passionate Thief (Ital.)— Embass,
Period of Adjustment—MGM
Police Nurse—Fox
Quare Fellow (Irish)—Aster
Rebel with a Cause (was: Loneliness of the
Long Distance Runner) (Br.)—Continental
Rice Girls (Ital.)-Ultra Films
Rififi in Tokyo—MGM
Rocco and His Brothers (Ital.)—Astor
CLASS B — Morally Objectionable in Part (or All
REVIEWED THIS ISSUE
Lancelot and Guinevere—U-I New Kind of Love, A—Para
PREVIOUSLY REVIEWED
Jessica—UA
Joker, The (Fr.)—Lopert
Journey to the Seventh Planet—Am. Inti.
Kind of Loving, A (Br.)—Governor
Landru (Fr.)—Embassy
La Vlaccia (Ital )—Embassy
Leda (Fr.)—Times
Light Fantastic—Embassy
Lover, Come Back—U-I
Lovers On a Tightrope (Fr.)—Interworld
M adame—(I tal.)—Embassy
Main Attraction—MGM
Man Trap—Para.
Marilyn—Fox
Marines Let’s Go—Fox
Mary Had a Little (Br.)—Lopert
Maxine (Fr.)—Interworld
Mongols—Colorama
Night Is My Future (Swed.)— Embassy
Night of Evil—Pathe-Am,
No Exit—(Fr.)-Zenlth Inti.
No Love for johnny (Br.)—Embassy
Operation Bikini—Am. Inti.
CLASS C — Condemned
PREVIOUSLY REVIEWED
Lady Chatterley’s Lover (Fr.)—Kingsley
Law, The (Fr.)—Embassy
Les Liaisons Dsngenuies (Fr.)—Astor Pic
tures, Inc.
Liane, jungle Goddess—DC A
Love Game (Fr.)—Films Around World
Love Is My Profession (Fr.)—Klngsley-Intl
Lovers, The (Fr.)—Zenith
Mademoiselle Striptease (Fr.)—DCA
Magdalena (Ger.)—Buhawk
Maid in Parle (Fr.) — Bellon-Foulke
Mating Urge—Citation
Miller’s Beautiful Wife (Ital)—DCA
Mitsou (Fr.)—Zenith Inti.
Mom and Dad (Sideroad)—Hallmark Prod
Moon Is Blue, The—UA
Never On Sunday (Greek)—Lopert
Nude Odyssey, The (Ital.)—Davis-Royal
Odd Obsession (Jap.)—Harrison
Oscar Wilde (Br.)—Four City Enterprises
Passionate Summer (Fr.-Ital.)—Kingsley
Phaedra (Ok.)—Lopert
Playgirl After Dark (Br.)—Tcpu Films
SEPARATE CLASSIFICATION
(A Separate Classification is given to certain films which, while not morally offensive in themselves, require caution and some analysis and explanation
as a protection to the uninformed against wrong Interpretations and false conclusions.)
Two Faces of Dr.
And God Created Woman (Fr )—Kingsley
Baby Doll-War.
Balcony, The—Continental
Bed of Grass (Creak)—Trans-Lux
Bell’Antonio I Ital.) —Embassy Films
Boccaccio 70 (Ital.)—Embassy
Breathless (Fr.)—Films Around World
Cold Wind In August—Aldart
Come Dance With Me (Fr,)—Kingsley-lnll.
During One Night (Hr,)—Astor
Expretto Bongo (Br.)—Continental
Five Day Lover (Fr.)—Kingsley- Inti
Girl With the Gblden Eyes (Fr.)—Union Films
Grain Carnation (was: Trials of Oscar Wilde)
(Br.)—Warwick Films
Green Mare (Fr.)—Zenith
Heroes end Sinners (Fr.)—Jenus
; I Am a Camera—DCA
j I *bva, You Love (Ital )-Davls-Royal
Joan of the Angels?—Polish-Telepix
Jules and Jim (Fr.)—Janus
L’Avventura (Ital.)—Janus
La Notte (Night) (Ital.)—Lopert
Season of Passion—UA
Secrets of Nazi Criminals (Swed.)—Trans-Lux
Sparrows Can’t Sing (Br.)—Janus
Spencer’s Mountain—War.
Summer and Smoke—Para.
Sundays and Cybele (Fr.)—Davis-Royal
Susan Slade—War.
Term of Trial—War.
Three On t Spree—UA
Thunder of Drums—MGM
Tower of London—UA
Town Without Pity—UA
Toys in the Attic—UA
Trial, The—Astor
Trial and Error—MGM
Two for the Seesaw—UA
Two Women (Ital.)—Embassy
•Warrior* Five—Am. Inti
West Side Story—UA
Whatever Happened to Baby Janet—War.
• Where the Truth Lies (Fr.)—Para.
Who’s Got the Action—Para
Winter Light (Swed.)—Janus
Wrong Arm of the Law (Br.)—Continental
Yojimbo—(Jap.)—Seneca Inti.
Paris Blues—UA
Passion of Slow Fire (Fr.)—Trans-Lux
Peeping Tom—Astor
Private Lives of Adam and Eve—U-l
Purple Noon (Fr.)—Times
Shoot the Piano Player (Fr.)—Astor
Siege of Syracuse—Para.
Sodom and Gomorrah—Fox
Splendor in the Grass—War.
Stripper, The—Fox
Tartars—MGM
That Touch of Mlnk-U-1
Time Out For Love (Fr.)—Zenith
Tomorrow Is My Turn (Fr.)—Showcorp.
Two Weeks In Another Town—MGM
Vampire and the Ballerina—UA
Very Private Affair—MGM
Walts of the Toreadors (Br.)—Continental
War Lover, The—Col.
White Slave Ship—Am. Inti.
Wild Harvest—Pathe-Am.
World by Night-War.
Please, Not Now! (Fr.)—Fox
Port of Deiire—Union
Pot Bouille (Lovers of Paris) (Fr.)—
Continental
Prime Time—Essanjay Films, Inc.
Private Property—Citation
Question of Adultery—NTA
Saturday Night and Sunday Morning (Br,)—
Continental
Savage Eye—Trans-Lux-Klngsley Inti,
Seven Capital Sins (Fr.)—Embassy
Sins of Mona Kent—Astor
Smiles of a Summer Night (Swedish)—Rank
Tales of Paris (Fr.)—Times Films
Temptation (Fr-Ital.)—Shelton
Third Sex (Ger.)-D. k F. Diet.
Too Young, Too Immoral—Rialto Inti
Trials of Otcar Wilde (Br.)—Warwick Filma
Truth, The (La Write) (Fr.)—Kingaley lntl.
Viridiana (Sp.)—Kingsley Inti.
Waited Lives and The Birth ul Twin*—
K Gordon Murray Production
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room, dining room and hall. Drapes in living room, dining room
and den. Excellent neighborhood and location for children. Price
in low thirties. MRS. STOUGHTON
NELSON REALTY CO., IK
255-1193 CE 3-4451
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