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THE GEORGIAN’S MAGAZINE PAGE
“The Gates of Silence”
A STORY OF LOVE MYSTERY ANO HATE. WITH A THRILLING POR
TRAYAL OF LIFE BEHIND PRISON BARS
TODAY'S INSTALLMENT.
E*t!\ looked nt the man. whose eyes
met heis There wa - -■• c'lune in t
voice, in hie fneoucsant roamer •‘ in made
a certAin appeal to her Re- des. Ip u.is
innocent
A Demand.
But 1 shall never p>vo you a wav.
Bettv. he said 'Don'' b> v'-vid 111
say nothir.g of what know .>< voitr being
at Tempest street the other nig'" >nl>.
you’ve got to heir me 1 must s»e Edith
He did not s*rm tn rmtn * the offem of
his words on the girl; his eye® were fixed
on the dismal gray vests of the parti be
tween the trees Yet he ■ > vid not have
failed to see the strange change that had
come over her face, turning Its pallor to
an ugh grayncss, nor :■■<» she caught
suddenly at the bark <>f one of the little
green chairs set tate-a-tete under the
trees, as though she would have fallen
When she spoke her voice seemed to
herself to sound :•» though ft came from
some grea' distance
"Tou must be mad quite mad tn make
such a proposition.” she said. "And not
only mad as 1 said before, shameless
Oh. a minute nr two ago I felt sorry for
you—but now''—
"You don't understand. he said, and
the r e was a new, an almost stern, note
In his voice I must sre Edith Rett'.,
you re not a child, you know that a man
doe.. >k. endanger his very life out of
Sheer wantoness I’ve been twice to the
-ery door today then I saw you. and
waited. Betty, you must give me a safe
conduct into the house
Tn bls eagerness he seized the girl's
arm In a fierce grip
.She shook off his grasp impatiently.
"I will not take you in Haven’t, you
wrought her evil enough?”
Levasseur looked her tip and down, the
pupils of his eves narrowed tn needle
points "You refuse?” he asked with an
evil snarl
"Emphatically I refuse
"So be It " The man shrugged his
shoulders with a foreign air that assorted
oddlv with his present disguise "Then
you simply precipitate matters, mon en
fant I will see Edith—but I will see her
husband first.”
He turned away abruptly with a few
long, striding steps across the grass.
Breaking into a little run, Betty gained
on him
"Where ar* you going'’” She did not
for a moment doubt the sincerity of his
intention; It was for such daredeviltry
that Edmond had been noto
rious
"I am going to pay mv respects to the
husband of your suiter.” be said
"No. no ” Her fingers crooked them
selves into the rough sleeve of his coat
With a sudden change of manner, the
man put his hand over hers reassur
ingly
"Can't vou trust me. Bettv'’” he asked
"Give me a chance, and Edith will live
to thank you; I swear that."
In the House of the Enemy.
Mrs Barrington was writing letters
when Betty burst in upon her,
. . '.Bettv what s the matter?” Alarmed
by her sister's strange look, she rose
hurriedly and went forward.
"Everything.” Betty said, distractedly
"Edith, a dreadful thing has happened.
As I came across the park, whom do you
think accosted met - Edmond Edmond
Levasseur!"
A little sound of horror escaped Edith
Barrington’s lips Then the beast who
had been crouching in ambush during the
interminable hours of this week had
sprung' She could npt speak; she stared
at Betty with so strange an expression
that the girl thought her words had failed
in their purport “Don't you under
stand? 1 met Edmond." She took her
sister's arm and shook it roughly, and
her voice was a thick whisper that crack
ed on the final note of her question
"You met him.” Edith put the ques
tion stupidly
"Yes. and he's here, Edith here.”
40 Us a Woman’s
Gtorioos Prime
When « woman realizes that her
youth is slipping bx ’ \lmost 40’
She looks hack and sees that first
white hair over her ,<ar She jerked it
out. and laughed' Then she remem
bers combing her hair each morning
and carefully looking and picking out
two or thr»e glistening white threads.
And the next war'. The white hair.*
pulled out one day were replaced by
twice as many th* next And she drift
ed on
Are yon just drifting toward a gray
haired old age at 4<». the age that
should be th*- glorious prime of a wo
man's life”
We wish you would get our booklet
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Hou-s 9t- " 9»n 1 LzCv AAte'’dant
"That man here”” The words were
j husky. almost unintelligible, the world
was reeling round Edith Harrington.
T' * re was a m ise nf the rushing of many
w.cers- in her ears She saw Betty
; I vaguely, yet distinct!' , as one sees nb
}jec’s through an Inverted opera glass
Retty, vou are not playing with me? ’
I Is this \ntir revenge'”’
’ | Tlloga ally enough, her sister's agita-
5 Hon helped to calm Betty s own
"pear, it is the awful ’ruth.” she said.
“He < here In your bnudoir- there’s no
* time to lose Sep him and get rid of I
him Tnny may enme bark at any mo- |
men»
Mechanically Edith moved slowly tn- I
ward the door Betty held open for her
, "Darling. l»e brave.” the girl whispered.
With her hand pressed against her
. breast, she watched the graceful figure
in .is clinging draperies pass out of the
room and through the beautiful hall
, which seemed to serve as an ironic
1 comment on the deceit fulness of riches
Rrau.Hful. exquisitely clad, surrounded
, bx all that taste and money could pro-
* ire. there was no more wretched or
terrified woman in the whole of Ixmdon’R
grim population than Edith Barrington
nt that moment
I’pstalrs, outside her boudoir door,
Edith Barrington paused. the shrill
groans nf a piano assaulted her ear For
a moment she paused outside the door,
sick at heart, half blind with a return
of the faintness that had assailed her In
the librarv Then, with the courage of
de pair, she opened the dqor and went In.
The Interview.
At her entrance a man rose from the
piano, where he had been striking a se
ries of excruciating chords
"Ah. madam your instrument—it is
beyond mv pnnr skill,” he said with a
bow
Edith stared at him Then the voice
betra } ed 'itself
Madam.” she demanded. hoarsely,
“what do you want’”'
"Hush'” Ix*vAsscnr raised a deprecat-
hand "Do you mind making fast
that door before we begin our converse
. Hon” I am presuming, of course, that
you wish !t tn remain private ’’
Mrs Rarrington, with loathing In her
exes, turned toward the door, hut he
was before her
‘Permit me ” He hewed politely ag he
turner) the key and slipped it In his
pricket "Now.” he continued, suavely,
"we are free from unnecessary interrup
tion I have taken the liberty, vnu Ob
' serve, nf ascertaining that there was no
other mode of entrance I trust you will
• forgive the intrusion into your other
; apartments ”
He made a little gesture towards the
dour that led to her bed mom The suite
iof rooms consisted of a sitting room, a
I bed room and a dressing room comuni
' eating with Anthony Barrington's room
■ That door was locked she had locked it
■ herself last night They were free of ln
| terruption. certainly but for how long”
At any moment Anthony might return,
i and when he returned Her imagin
! atlon showed the house surrounded by a
force <»f police; disaster was upon her and
I she knew It yet only as a womatn tied
nii<l bound by the chains *»f a nightmare,
‘might have done, without power to move,
■ or cry out. or save herself.
i He sat down near her and leaned for
; ward, a smile on his face. Maddened un
' der his scrutiny, she found her voire.
A Frantic Appeal.
“How dare you come here'” she said.
1 ; weakly.
The man shrugged his shoulders.
You never had much regard for the
amenities of life, my dear Edith’ A real
ly tactful woman wmuld have begun with
sonic well-turned compliment upon my
success in evading”
i She made a quick, tier* e exclamation of
disgust, but h*» interrupted her with a
swift movement of his hand, smiling at
j her still with that look she could not un
i (bustand, which yet. in spite of herself.
: moved her tn appeal tn him.
, I "Edmond. If you have no mercy on
yourself and think of what the conse
quences of discovery to yourself mean
for th*' sake of in\ child have nercy on
me.”
> The man rose abruptly, ignoring her
' appeal
“You do well to say It is madness
brought me here.” he said. “I don’t know
what it is about you. Edith, but the very
! sigh’ <-f vou stirs up a fiend in me Ten
, | minutes ago. with Betty. I felt like an
| angel now, for tw»» straw’s I’d go down
,! stairs and give my name and history tn
I 1 your butler
j She stared at him in stupefied surprise.
; ; vet something in his words helped to
, i steady her nerves a little
1 "Did you. may one ask. adopt that sin
’ gularlv unbecoming costume, run no In
i cons’iderable risk, and force yourself into
t this house merely 10 tpII me what I
know that you hate me" ' she asked, and
her tone matched his own in insolence.
1 H*> did not answer for a moment.
: ' ”! am a fool,” he said at last "Any
1 1 man w ith an ounce of sense In his com
position. coming tn a woman to ask what
I am going to ask. would have had the
common decency to <it least veil his feel
ings Yet I blurt our the truth, and place
myself at your mercy at the same time
r Edith Ipi done. I admit it. At this
moment mv life is as completely in your
hands as was the life nf Slsera in the
s hands of Jael.
t W hat < an I do
The Rack.
And they talk »f women s wit!” he
■ groaned Then. Edith. Ive treated you
' aboroinally now I ask you to show the
spark *'( the divine which exists, so they
sax in every w<»man towards the man
r she first love*! M' dear” he laid one
soft, warm hand on and she quiv
ered "we can’t Ret away from that I
'' was th* first man \n<l Barrington for
t all his virtue, ability and worth It’s
rough on him th.it years and years agone
those grim old sisters should haxe woven
it in’o their pattern that he whs to play
■ j s»‘( on«i fiddle
lie smiled into her eyes and Mrs Rar
kjrmg’on drew away her hand suddenly,
j with a little sound of pain and fear
Continued Tomorrow.
Mlle. Gabv Deslvs bells How to Dance the "Grizzly Bear"
fp HIS is Part T of an article on 1
I how to dance the Grizzly Bear
and its developments, Tur
key Trot and Runny Hue. Th* s pic
tures show Gaby Deslya and hrr danc
ing partner. Harry Pilcer, Illustrating
the various positions In the dance. The
fnl’nw ing artie’e was written especially
for The Atlanta Georgian's Magazine
Page by Mlle. Gaby De sly g, in Pari.-,
and forwarded here.
By GABY DESLYS.
PART I.
NO matter whai, people may say
against It. expurgated editions
of the Grizzly B<>ar will be the
popular dances of the day for some,
time. People who can dance well can
accomplish this dance as gracefully and
elegantly as If they were danrina the
old-fashioned waltz or minuet. It is
only when the gestures and motions nf
f .
L._
w, is
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/ jBUK id , \ \\
A ?w/ MMtn
si /Mr / M y
ir ,>. .A? ■ VEK/
/ MMV///
/'"lm
'iKifinF ft
h o
■K *■ Far * 11 er s A T-
Z '' proaching eaxth
/■' J other for the
/ -OtWa position of
V WfW Grizzly
z A wwim ear aTlce
Y*' Showing the
P X', position where
I * K® the arms are
• outstretched.
the body are exaggerated that the
dance becomes vulgar and suggestive.
It is easy enough to exaggerate, and
the bad actor generally knows that he
will make a hit if he overdoes some
piece of work that ought to be deli
cately done, hut the real artist is rec
ognized as the one who gains the effect
without losing either grace or beauty
of gesture, and without making the
dance common.
It is a difficult thing to explain ex
actly how the Grizzly Bear is danced,
but with the help of the pictures I,
think we can make It clear to you how
we dance it. though, of course, for use
In the ball room It is necessary tn adapt
the dance which we have done on the
[•tage and to modify and eliminate steps
which would be too difficult for the
average dancer
Two-Step Time
The Grizzly Bear is danced to a two.
step. <>f course, we have our own mu
sic. but the same steps will go to any '
good popular two-step of the day. A
couple of bars should be allowed for
the Introduction, then the girl ap
proaches her partner, circling around
him but keeping her back to him all the
time, while, with arms etttatretehed,
she sways gracefully front left ta right.
The steps are the regular »>ri Two
step" steps. During this time the nt.m
should begin to awaken to the rhythm
of the music, keeping time with the
knees and with a fanlike wave of the
hands and arms. Now the girl sways J
»o the right, having previously circled
around the left side of her partner, she
takes six preps a»ay from the man. he
approa-’hes her and begins circling jn
i 'he opposite direction He should be
I circling one way and she in the other .
| After six step thet shoul- meet tn the I
The left and right drop.
Ji
/Xi ' W
center of the stage or platform. . The
two partners are then facing each oth
er. She can cross her arras over her
cheat, hold her hands on her hips or
outstretch, and he may do the same
with his arms. The man now turns to
the right, while the girl circles to the
left, both of them swaying in perfect
time to the music for eight bars. As
the circle brings them together again
there is a short pause for a poee, in
which they look Into each other's eyes,
arms extended during a momentary halt
. In the music.
The couple then take the position for
rhe regular two-step, the man having
his arm around his partner’s waist, the
hand reaching Just above the waist.
This is the first position of the dance.
The girl places her left foot between
her partner's feet, her toe just touch
ing his. and the couple sway slightly,
taking four steps forward, that is. she
goes forward and he goes backward,
while they bend rhythmically to the
strains of the music.
This step is repeated six differen'
times, the man going backward first,
then changing, while the girl backs and
he comes forward. After that they go
to the side with four steps and then to
the opposite side.
Now. the man holds hts partner's
right hand in his> left, both arms being
held very high above the head. Now.
turns her around with h»r back to
ward him.
Dancing
The Hop
Next, the g*et and man each take a
long two-bar step in opposite direc
tions poising on one foot and giving a
slight hop The v exchange hinds a'-
i'h.rr pass each other, and the change
land hop should be done as gracefully
Showing the position where the
arms are outstretched.
as possible, without being abrupt or
jerky.
Now comes the next position, illus
trated with extended arms. The man
places' his arm about the waist of the
girl, who stands with her back toward
him and in front of him; standing
slightly to the left of the girl they take
four swaying steps forward, then both
turn and take four steps back, return
ing to the same position. This part of
the dance is repeated three times, the
man putting his hands on the girl's
waist or holding her arms extended.
The grace of this part of the dance
depends entirely upon the absolute po
sition of the two people, whose feet
should touch the ground at the same
moment.
Still with outstretched hands, the
couple take font' steps forward, throw
ing the right foot slightly in the air
while they sway forward for six meas
ures. The kick in the air occupies an
imperceptible moment of time. After
this the girl turns and faces her part
ner, placing her arms on his shoulder,
elbows outstretched, while he holds
het with his hands very high on her
back, the elbows being outstretched
again. This is the real Grizzly Bear,
position, and the couple hold it whilej
they sway backward and forward four
steps in double-quick time.
Now the girl got" backward, the
man coming forward, and the same
movement is repeated.
The two dancers now circle around
each other during a period of four bars
in revet »-■ direction. They repeat this
in a slower step for two bars; the girl
then turns her back on the man. and
he places his right arm about her
waist. They then sway for four bars,
tie man taking the girl firmly by the
hand and wincing her toward him in
two bars and unwinding her in the
same space of time, turning as he does
this. The winding and unwinding is
then repeated at a much faster tempo.
After this comes the original Grizzly
Bear position again, and the swaying
movement repeated twice to four bars
each. Then taking the position side by
side they hop to the right two Hops to
each bar for four bars.
Again he pivots the girl, holding her
hand above bin head; then with th?
hand dropped they hop to the left
Once more he holds her hand up and
the pivot and hop are done at the same
time to two bars of music.
(Part II of this article, with addi
tional poses of Gaby Deslys and Harry
Pilcer, will appear on this page in an
issue of The Georgian.)
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* Little Bobbie’s Pa *
By WILLIAM F. KIRK.
PA COMES BACK FROM A REAL
CONVENTION.
IT was offul hot yesterday. Pa faint
ed wen hh got hoam. Ma put sum
ice on his hed, she was cracking
sum ice wen Pa calm in, & wen she
seen the way Pa looked she looked at
the chunk of ice wich was in hw hand
& then she put it on Pa's hed.
T felt awful sorry for Pa. he had Just
got back from a Democrat convenshun
at Baltimore, * he had got in with
sum marching club from Chicago, <Q I
guess he marched so much that the hot
wether must have hurt him a good
deal. Ma & me both felt the heet, of
course, but we dident feel it enuff to
faint.
I nevver knew that growed up men
fainted, but the minnit Pa came into
the house he looked at Ma & me kind
of puzzled, as if he was in the wrong,
house, & then he sed:
"Three cheers for Falton B. Arker,‘&
Bilyum Wryan. & CXjiamp Clark. & Bal
timore,” & then Pa fainted the way I
have sed. He fainted all at onst. He
just keeled over.
Husband, sed Ma. afterward, how
long did that Baltimore convenshun
last?
It was jest oaver yesterday, sed Pa,
& I am glad that it is oaver. I never
had such a hard time beeing a dele
gate in al! my life.
But I thought that the convenshun
Do You Know
That
A Mayfair club is being instituted
for the purpose of promoting the in
terests of animal lovers, and provid
ing an exclusive clpb house in London,
principally for lady and gentlemen sub
scribers and supporters of animal or
ganizations. A novel departure con
nected with the club house will be a
dogs' cloak room, consisting of prem
ises which will be utilized for taking
charge of members’ dogs when they
are visiting the club. The dogs can be
fed, groomed and will receive any at
tention desired.
By partaking of coca, an extract from
a South American plant of that name,
men can endure hard labor without
food for a period of six or seven days.
mean time is the standard
employed on the railways of France.
Belgium, Spain and Portugal.
Motor spirit is produced throughout
the world at the rate of 2,000.000.000
gallons per annum.
Australia Is the largest island in the
world: its area is nearly three-fourths
that of Europe.
Up till 1869- it was necessary to have
a license to sell pepper in the United
Kingdom.
tcw,TOu aMPWIW noe.Svst
llNivr
Z .■ - CH I°cA<7o
WsfW'-'JF
\Jot//c/ *John D Rockefe/rirhave been
/he richest' mwi in /he Wor/c/ifhe had
snenf /he first money he earned?
z He put it in the Bank-
1
The regular semi-annual interest on de
posits in our SAVINGS DEPARTMENT
ha,s been credited. Kindly have same en
tered on your Passbook. Interest not with
drawn will be added to principal. Deposits
made on or before July 10 draw interest
from July 1.
I
4 c /c on Savings Deposits
• MW*-
t*. wwutrs
Mil «n »m whisht
X IgJ **• CTlrlll *“- Pattents vl» treated at their kame* O®-
conddwtial. A book an the subject tree D& ». »
WOOLLBY k son, Xo- B-A Victor Bantterixm, iKli, «*•
lasted less than a week, sed Ma W «
sed Pa, the faeks in the case are t!v .
the Real convenshun did last ap.
that long, but thare was a few of
wich boited &- had a other convensh r
thare was almost half of the rec., r
delegates that stayed over. <t t.ha\ ■
all good sports like me, or els» r. :1v
wuddent have bolted. That is ->n->
thing I will say about the crowd tpst
followed me. Pa sed. ween thay do any.
thing thay doant do it by halves Trr
minnit thay decided that thay wan' d
me for vice president of the T.'ni -
States, to run on the saint ticket v; y
the Bull Moose, thay bolted & we had
our session in private. It jest g<,<
oaver in time for me to catch the las'
train out of Baltimore that I cud
& still git here in time to greet rm
deer little wife. Baltimore Is all r’'-.
Pa sed. & politicks Is all rite, but af
ter all is sed & done. Pa sed. the sweer.
est & best thing in all the wurld Is th?
deer littel wife that always greets you
with a smile. It is then, looking into
her deer eyes, that all the wurld seems
primrose & azure. Pa sed.
How much munny did you save out
of the wreck? sed Ma.
I can not speek of sordid things Ilk?
munny. sed Pa. when I gaze Into them
violet orbs in your sweet face. Then
violet orbs in your sweet face Thru,
sed Pa. all the wurld s*ems tn dan l *
away in a mad reel of heavenly Joy. Pa
sed.
The creditors was here this morning,
sed Ma. How gArong are you"
I can lift five hundred pounds with
one hand, sed Pa,
I mean how much munny hav* too
left, sed Ma. She dident care anything
about Pa's prity speeches, she had her
right hand out all the time. Then Pt
•surprised her. He pulled out about
•five hundred dollar?.
It was a poker convenshun we hm;,
sed Pa. that is why the good sports
•bolted H stayed oaver in Baltimo » I
will keep a hundred for me & give ’
•S4OO. sed Pa.
Deer, darling boy. sed Ma. My kiuz.
Ma sed.
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1