Newspaper Page Text
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TTT: MIST’S SUNDAY AMERICAN, ATLANTA, 0A„ SUNDAY, SEPTEMT5ER 14. 1013.
TIGHTEST OP TIGHT GOWNS
+ •4* +•+ •!•••!• *!*••!•
NEWPORT IS STARTLED AGAIN
By MME. HAUTE MONDE.
RANTED that the butterfly Ip
-v the mo*t prominent trimming
feature of the hour, whether on
email or large hate, the tendency le
toward feathery decorations of va-
rlotia types. The ostrich plume Is be.
ing used more extensively than for
many years, and particularly by the
Paris milliners who cater to the
American trade It Is ostrich In all
Its curly beauty that Is used to-day
the uncurled, draggy looking feather
of the last few seasons having dis
appeared from the new hats. Then,
mounts of ostrich may be arranged at
the hack or at the side where the
brim breaks or curves upward.
• • •
The newest corsage sachets -to be
pinned somewhere beneath the trans-
I»arent veiling of the waist—are small
colored satin bags incased In real
cluny lace cases. The pink, blue or
lavender satin cases are slipped Into
the outer lace cases and fastened
with removable ribbons, so that dif
ferent colored satin cases may be
used. It Is not a difficult undertak
ing to make these dainty corsage sa
chets at home.
• • •
The demand for fur of every de
scription has brought Into existence
the Imitation for cloths, which are so
cleverly made that It requires a care
ful scrutiny to discover the differ
ence between the broadtail cloth and
the genuine pelt. The mole pelt has
been equally well Imitated, and. like
the broadtail, comes In the natural
coloring, black and green These fur
cloths are all-silk materials, and,
combined with velvet, make very
handsome street costumes.
• • •
Small clusters of bright-colored,
unnatural looking fruits give the de
sired dash of color to many of the
little hats which tilt over the fare
and flare high In the back. This Is a
development of the ntnlche bat. or
rather, one should say, an adaptation.
In Ollier to make it more becoming
the brim in the front Is hroken. as Is
shown In the drawing, for unless one
is blessed with the piquant type of
countenance these hate accentuate
one's uge The piquant face, with
small features, such ss nine out of
ten French women possess, Is the
only typo that looks well In the very
small hats, though many of them are
imported and worn by Americans who
in other matters of dress have un
questioned taste. The majority of
these little hats are fashioned from
taffeta or velvet.
• 0 •
Supple white satin Is the favortts
material of milliners to-day. It is
combined with linen and with velvet
or moire.
One of the newest face veils Is
made of line silk tulle In a pale shade
of heliotrope with tiny pin dots all
over Its surface.
Shoe buckles are mounted on strips
of velvet the color of the gown with
which they are worn. Some are ar
ranged on tongues of platted velvet.
Buckles made of pale blue, pink and
yellow saiin and chiffon roses are
worn on pale colored satin evening
•Uppers.
• • •
It ts the fashion to cover the coat
collar with something white, and an
attractive choice 1? the negligee of
white crepe rie chine or mnrqulsette.
marie In the Robespierre manner and
falling well over the shoulders and
fronts of the coat
• • •
The skirt In tiers la a success of
the season. These skirts have taken
the fancy of women an long used to
straight or draped effects. Three tiers
Is the favorite style. Plaid materials
are the craze and one sees tiered
skirts with alternate rlaln nnd plaid
flounces to the waistline, the bright
plaid appearing again as a trimming
on the Jacket.
• • •
Real tortoise shell is the Ideal thing
for hairpins. The present style of
hair dressing demands ths! several of
these pins should he of Ihe broad
fork shape and that the prongs should
be rather short. 1 have seen these
real tortoise- shell pins Inset with sil
ver with good effect. I have also seen
them rimmed In finely cut Jet.
For blonde hair the pale shade of
tortoise shell gives a dainty appear
ance. while red-gold hair looks hest
when arranged with rut Jet pins or
those made of dark tortoise shell In-
crusted with little Jet facets
Velvet ribbons edged with plcot are
now verv much used by the hest i
Parisian 'milliners Some of these |
ribbons are very wide, while others
are comparatively narrow'. Individ
ual taste Is permitted great freedom
this season. A Panamn would look
well if trimmed with wine red vel
vet ribbons or with a long length of
velvet ribbon In a strong shade of
Parma velvet.
* * •
Trio latest style of hairdressing for
the daytime calls for a few very good
pins In tortoise shell or dull sliver.
Kvery effort Is made to do away with
anything like an nrtlfletal appearance
and the woman or girl who can ar
range her hair with a single comb Is
the admired of all
• • •
Newest phoes may have high Louis
XV heels, but they have broad soles,
and they are mostly laced up over
the ankiee.
*90
Collarettes of marabou are short
and wide and finished with a bow-
end ends They come In exquisite
chinchilla mixture, a softly shaded
gray and a variety of new Parisian
Clo«e-flttlng hats, with outstanding
trimming, are as much In vogue as
ever The trimming may be either
feather, fancy or loops of ribbon and
velvet in fantastic shape.
M
RS. “REGGIE” BROOKS, snapped on a Newport street
as she startled the ultra fashionable residents of that re
sort. She is shown wearing the new minaret gown, which is the
tightest of the many variations of the clinging skirts seen here
tofore.
BESTS QUEEN;
SIT MODISTES GETS CLOTHES
—- i
Simplicity Will Be SoDght, but
Masculine Severity Will Be
Carefully Avoided.
Plotted With Prince of Wales to
Buy Things on His Account.
Conspiracy Discovered.
Slant of the New
Mat
The majority of the new autumn
hata ore squashed down over one
eye, generally the right one, and are
raised high on the other side, show
ing a wide expanse of the hair. This
gives a' very Jaunty air to the hat,
which Is accentuated by the curve
of the brim and the trimming. The
effect is rakish, that fact must be
admitted, but these hats are univer
sally becoming, for the large features
of the average American require this J
planting line across the front, with
the height at the side, tending tow
ard the back. Whether the hats Hare
(fn one side or not, they set low on
the head.
The popular sailor shape Is well to
the fore among the new hats, though
shown in many modifications. The
patent leather sailor brought out by
one of the leading Paris milliners is
shown as a morning and rough
wear hat at the best - shops.
It is quite remarkable to find tulle
as chic as It seems to be. consider
ing that it has been extensively worn
a’l summer, yet many of the smartest
fall hats are partly developed Hi It.
Either the crown or the brim is of
tulle The newest way of using it on
the brim is in a triple effect, each
fold is wired and thus separated,
making the three-tier etYect notice
able. The high ruches or collars of
tulle are shown on some of the latest
hats, the edge being outlined with *
narrow' band of fur.
The touch of fur on the hat is be
coming as universal as it is on the
gowns, and it use Is likely to increase
as the season advances.
Rough-surfaced cottons closely re
semble their woolen prototypes, and
they are likely to be worn well Into
autumn. Cotton sponge cloths, cot
ton plushes, cotton velvets, It is pre
dicted, will be worn throughout the
winter.
Decollete Still the
Vogue
The sensational success which has
attended decollete styles for day and
evening wear has revived many
ehnrinlng conceits for the fair and
shapely throat.
While ornamentation is not essen
tial for candlelight hours, the V-
shaped decollete for daytime requires
a break in the sweeping new line now
favored.
For this the black velvet band* are
very much favored because of the
flattering effect on the skin; how
ever, becoming colors in harmony with
the gown or its accessories are equal
ly favored. The soft, pastel tints, as
a rule, are more becoming than the
brilliant shades.
There are two styles of bows used
as a finish for the velvet band.
One is a flat, tailored pump bow
and the other ts a pert afTair. shaped
like a butterfly. The center Illustra
tion shows the former style. In the
right corner another treatment of the
velvet throat band ts seen in the
shaped, pendant ends studded with
gold beads on a foundation of gold
thread lattice work.
White crystal beads and pearls
would be effective in a simple design
forming a flower motif or more formal
as a bow knot or classic wreath.
The velvet band is enlivened with
charming Jeweled pendants which add
another coquetry to the list of baubles
now fashionable.
These pendants partake of fanciful
.forms as wee baskets of flowers in
graceful shapes, butterflies, bow-knots,
bird and insect designs, together with
the delicate French patterns which
are especially admired.
0 0 0
Hip sashes appear on most of the
new dresses; they offer an oppor
tunity for introducing color or con-
! trast f shades and material* In the
dresses.
Special Cable to The American.
LONDON, Sept. 13.—-At a time
when the newspapers are 90 ardently
and earnestly discussing the new
'aria fashions of the X-ray gown It
is pleasing to discover that there will
be worn this autumn and winter
some jnnart and chic gowns of an
other kind.
The Times has Just published an
article which, to one who has not
been fully initiated into the mysteries
of feminine apparel, seems to be a
worth while discussion of the ever
present problem of what may be
called chicness. The Times says:
“Quite the most interesting-of the
•Fantasies sur le Costume Moderne*
recently exhibited In London by Leon
Bakat take the form of a coat and
skirt. Indeed, that is partly why these
‘fantasies’ are of such interest to the
practical student of dress.
"For no matter bow variable the
modes, the coat and skirt always per
sists; It Is only In Its precise form
that there is continual change. Again,
though these drawings are frankly
fantasies the artist has expressed in
them the salient points of to-day’s
fashions. The picturesque aspect of
the coat, the Importance of the waist
coat, the narrowness and the straight
ness of the skirt are well noted. In
each the idea Is so simple and yet so
wonderfully effective. Simplicity also
characterizes the decoration. So that
many a couturier with a too generous
bias to ornament might learn from
them some useful lessons in the art
of restraint.
“The best designers, however, have
for the last few years set a standard
In this matter. And, judging from the
new models displayed for \the early
autumn, they still maintain this ideal.
Not for the first time do we see that
because the coat is perfectly cut and
the skirt cleverly arranged a smart
effect 1» obtained. In many Instances,
however, the waistcoat Is extremely
decorative, a beautiful brocade being
considered none too luxurious a ma
terial for this detail.
Skirts Not to Be Wider.
‘•Meanwhile let no optimist hope
for a widening of the skirt. For,
though It is possible that Paris may
exert her Influence in this direction
when October is here, she seems at
present to be taking an impish de
light In flouting those who criticise
the scantiness of the season’s models
by giving the new models an even
narrower effect than any which have
preceded them. This Is made possi
ble in some instances by the manner
in which the fronts are crossed, and
without seam, for plenty of freedom
Is thus insured with the narrowest
possible appearance.
“One very attractive dress carried
out in this way in dark blue chiffon
velvet Is everywhere outlined with
narrow embroider- In silk soutache.
And In this way the lines of the
crossing in front are naturally em
phasized. In the model a V-shaped
opening anpears In the center, imme
diately above the feet, just as It occurs
in more than one of the ‘fantasies;’
but this can easily be avoided, or a
simulated underskirt of satin or taf
fetas arranged beneath it.
“The same idea expressed in a blac k
moire taffetas is still more deserving
of notice, because the latter promises
to be a very popular material in the
early autumn. The lines of the coat
are also particularly pleasing. For
the back, which is rather longer than
some have been of late, falls grace
fully from the shoulders, and is
rounded In the basque; but the fronts
are crossed and tucked into a wide
belt of black chiffon velvet. The lat
ter Is fastened beneath the basque at
the back and falls in one
long tasaeled end almost to
the hem of the skirt. Quite
a simple blouse In white mnusscline
Is worn with this dress, and Its long
sleeves are carried over the wrist Just
as are those of the coat.
A Cerise Colored Waistcoat.
“The manner In which this coat Is
finished, with the front of the coat
finished by the belt at the waist,
precludes the introduction of a waist
coat. But many another model, de
signed in this black moire taffeta, Is
arranged with a waistcoat, and it
gives opportunity for the introduction
of color. For Instance, one famous
dressmaker has Just finished a dress
of this material with a waistcoat of
c-erl^e colored velvet. The coat is
sloped away in front, and the waist
coat, which is cut vent’ low. is crossed
and fastened with one button, and is
then carried down to two points be
low the waist. Above the waistcoat
appears the chemisette of white tulle,
very finely tucked, fastened with
small, round pearl buttons and turn
ed back in a little V opening at the
throat.
“The picturesque note which has
recently characterized the coat-and-
skirt intended for full dress occasions
is still maintained. Everything that
is stiff and formal is avoided. Even
when a coat is girt with the wide belt
which might easily endow it with a
rigid appearance, care is taken that
the belt shall be draped with an ef
fect of studied carelessness The
tunics, too, with which many of these
dresses are designed, serve to empha
size their picturesque character.
Masculine effect Avoided.
“Again, the waistcoat is often ar
ranged in the most unexpected man
ner Sometimes it is a mere con
tinuation of the revers very cleverly
contrived. But. whatever be the idea,
it never savors of the severe, such as
distinguished the womans waistcoat
of twenty or thirty years ago. Some
times. too, the contrast between the
materials of the coat and the skirt
achieve picturesque results. And
never is the effect more striking than
when the skirt is of cloth and the
coat of white or cream tulle. The
taste for such a combination of ma
terials is essentially French.
“But even when designing the sim
pler coats and skirts, the couturiers
are careful to avoid the severity
which once characterized every cos
tume tailleur. To-day this is re
served entirely for the Scottish
tweed or homespun designed for the
sportswoman. In every other instance
there is at least some note of ease in
the skirt, which differentiates it at
once from that masculine appearance
which formerly characterized dress of
tills type."
MOST CHARMING OH GOWNS |
EOR A SEPTEMBER BRIDE ‘
Wonderful Parisian Trosseau Is Being Pre-
pared for Miss Marion Glen Coats.
Special Cable to The American.
LONDON, Sept. 13.—Prince Albert,
the King’s second son, the “Sail >r
Prince,’’ is delighted by the news tha*
he will take up his duties as mid
shipman on his majesty’s steamship
Colling wood in ten days.
The prince returned from a six
months’ cruise on his majesty’s
steamship Cumberland last July; for
a while everything was Just as It
should be in the royal family clrcie,
but now' a decided Jarring note is 1
sounding loudly. Prince Albert, who |
Is nearly 18, inherited ail his moth- .
er’s strong-mindedness. Independ- |
ent and intensely keen on work, he
chafes severely under the restraining
influence which Queen Mary brings
to bear heavily on her children. Scotchman
Rebels on Clothes.
One very sore point over which
the prince defied his royal mother
recently concerned the vexed ques
tion of clothes. Albert has Just
reached the age which pays great
heed to socks, ties and creased trou
sers. Soon after his return he or
dered a new' outfit from the tailors
and hosiers who supply the Prince of
Wales.
Wales is allowed to buy such
things for himself now. The arrange
ment was that all Albert’s purchases
were to be. put on his elder brother's
accounts, hut, by an error, one of the
bills was sent to the King and the
whole conspiracy was discovered.
Youngster Has His Way.
Queen Mary, who* had been going
through the prince’s wardrobe and
sending various garments to the J
cleaner, insisted that he wear out his |
old clothes and return the new ones. I
The prince boldly said he was Jollv
W'ell going to dress as he liked and I
would not go about in patched-up |
rags as David used to—David being I
the Prince of Wales, who was of a j
very submissive nature.
In the end Albert had his own
way. this being the first time Quesn j
Mary ha» been known to be
worsted.
Special Cable to The American.
LONDON. Sept. 13.—Prominent
among September brides will be Miss
Marion Glen Coats, who is marrying
Major Parsons on the. tenth. A truly
w’onderful Parisian trousseau is be
ing prepared for her, the chief gem
train composed entirely of old French
lace.
Another charming creation Is a
gown of tine suede cloth in delicate
champagne color. The skirt falls in
rich sculptured folds around the tall
figure of the wearer and opens slight
ly in a few fan pleats in the front,
while the folds are caught together at
the sides with a silk cord.
Buttoning about the height of the
knees, the coat is of old blue ehar-
meuse lined with champagne cloth;
there is a light fall of lace, of the
color of clotted cream, on either side.
The sleeves are innocent of a shoulder
seam, but are broken at the elbow
with a line of piping, the long cuff
being split open to show a doublure
of champagne cloth.
Over the square sailor collar Is a
second collar of old blue charmeuse
bordered with a strip of skunk fur.
The corsage is a parchment lace with
a shaped band of blue charmeuse.
The bust Is partially hidden by a
dentelle; under this is faintly seen
an embroidery of pale pink rosebuds
and ciel blue threaded ribbon.
A little found hat of black velvet,
which fits well down over the head,
framing the face, is encircled with
blue feathers, ending in an upstand
ing plume tied near the base in the
new fashion.
Foretold Hobble and
Slit 200 Years Ago
Says Creator’s Work
Should Not Be Concealed From
Admiring Eyes.
Communion Denied
Women in Slit Skirts
Pastor Denounces Modern Gowns as
Monstrosities in Sermon to
Congregation.
NEW BRITAIN. CONN., Sept. 13.—
Rev. H. T. Walsh, pastor of the
Church of Our Lady of Mercy, an
nounces to-day to his congregation
that he will refuse to serve commun
ion to women who approach the altar
wearing slashed or diaphanous skirts.
Such women are also prohibited
from visiting the parochial residence.
Father Walsh denounced modern
gowns as “monstrosities,” and said
that while once knights would give
up thejr lives, If necessary, for
women, to-day men in general are
disgusted with the immodest attire
In which some who call themselves
ladies appear.
CORNISH, COLO., Sept. 13.—The
arrival of the diaphanous, the hobble
and the slit skirt is the fulfillment cf
a prophecy of Sir Charles DePuysler
Goldwin. who lived in Scotland 200
years ago. until he went to London
and the fashions evoked his displeas
ure, according to a manuscript found
to-day by Miss Faith Corson Smith
in a trunk. It is dated November 10,
1704, and, after referring slightly cO
the costumes of men, says:
“Ladies should not be so circum
spect in their dresses, which are cum
bersome, and the long trains which
please their majesties of this year of
our Lord seem to me naught but a
design to conceal that which the
Creator meant should be revealed.
“Perhaps posterity will learn that
there is naught to be ashamed of in
that which God. hath created.
“The Creator never meant men and
women to be 60 burdened with velvet
ribbons, lace and powder that H’s
handiwork should be concealed or
distorted, and it may be that in a
dozen score of years peoples of the
world will grow weary of these late
changes, which are only worse than
were their immediate predecessors.”
Moonstones andOpals
To Deck Fair Ladies
London Society Will Wear Oriental
Charms, Too, of Amethyst, Tor-
quoise and Onyx.
Sued Because He Did
Not Like X-Ray Skirt
Young Wife Wants Divorce From
Aged Millionaire Hotel Man on
Account of Style.
SAN JOSE, CAL., Sept. 18.—Be
cause he disapproved of diaphanous
skirts and she had modern tastes, Mrs.
Bertha C. HtMCom, 80 years old. and
pretty, has brought suit for divorce
ugainst James D. Hanscom, 60 years
old, and a millionaire hotel man of
this city.
Six Midinettes of Famous Paris
Establishment Finish Fashion
able Gown in Tube.
Special Cable to The American.
PARIS, Sept. 13.—On a bet six mid
inettes, belonging to a famous Paris
dressmaking establishment, cut eti%
and made a fashionable dress during
a journey of twenty minutes in a
tube train. The dress is of pink chif
fon, designed in the latest style, with
a draped tunic and lavish ornamen
tation.
The design was submitted to the
midinettes as they boarded a train <m
the Metropolitan Railway at the Porte
d’Orleans station. As soon as the
train started the six girls fell to
work. Each had a particular task.
One of them made a sleeve, another
the other sleeve, another the bodice^
a fourth the skirt, while the fifth and
sixth affixed hooks arid eyes and at
tached trimmings.
Half way through the last tunnel
the final stitch was put in, and as the
train drew up at the terminal sta
tion at the Porte de Clignacourt the
girls stepped from their seats and
held out the finished dress with a
shout of triumph.
Lost Switch While in
Surf; Sues Hotel Man
Brooklyn Girl Claims Damages for
Embarrassment While Bathing
at Coney Island.
NEW YORK. Sept. 13.—Miss Sadie
Berenzweig, nineteen years old. of
No. 738 Myrtle avenue, Brooklyn, is
suing Samuel Stitch, a Coney Island
hotel proprietor, for damages because
of embarrassment caused by the loss
of her $35 charmeuse dress and $5
switch.
They were left by her, she told
Judge Richards yesterday in the
Gates Avenue Municipal Court, in a
room in Stitch's hotel when she went
In bathing last Sunday. Three com
panions suffered other losses.
Stitch offered them some of his
Special Cable to The American.
LONDON, Sept. 13.—Moonstones in
early Celtic mountings of gold, silver
and platinum will be fashionable this
season. Black opals are second fa
vorites. Pendants are taking the
place of necklets. Earrings have l^ng
hanging lobes.
The King Croesus stone, a fire
opal from the mine in Asia Minor
that King Croesus is said to have
worked, is being worn a good deal.
Women with a taste for the Ori
ental are adorning themselves with
charms suspended from a long neck
chain. They are carved out of
amethyst, turquoise. onyx, lapis
lazuli and other stones, and repre
sent peacocks and elephants and
strange Eastern beasts.
$500 a Pouud Price
Of White Human Hair
Warm Titian Glow Is Shade Next in
Demand, Say Toupee
Makers.
Special Cable to The American.
LONDON. Sept. 13.—Pure white
human hair Is quoted at $500 a pound.
“Give us hair,” cry the bald. “Give
i us gold,” retort those who possess
‘woman's crowning glory.”
Some offer their locks by the foot
to the dealers; others demand $25,
J50 almost any extravagant price.
Many women sell their “combings” to
clothing, but they sent home for the be made into toupees and fringes
needed things. The case will be Next to snow-white hair that with
heard on Tuesday. 1 the warm “Titian glow” Is rarest.
GRAV HUH IMS ITS NATURAL
COLOR AFTER MIS SAGE TEA
Mixed With Sulphur It Darkens “ s b °u?*n- s dr uKln*
Beautifully and Takes Off
Dandruff.
Almost everyone knows that
Sage Tea and Sulphur, properly
compounded, brings back the nat
ural color and luster to the hair
when faded, streaked or gray; also
cures dandruff, itching scalp and
stops falling hair. Years ago the
only way to get this mixture was to
make it at home, which is mussy
and troublesome.
Nowadays skilled chemists do
this better than ourselves. By ask
ing at any drug store for the
ready-to-use product—called “Wy
eth's Sage and Sulphur Hair Rem
edy”—you will get a large bbttle for
too sticky, so Insist upon getting
“Wyeth’s,” which can be depended
upon to restore natural color and
beauty to the hair, and Is the best
remedy for dandruff, dry, feverish,
itchy scalp and to stop falling hair.
Folks like “Wyeth’s Sage and
Sulphur” because no one can pos
sibly tell that you darkened your
hair, as it does it so naturally and
evenly, says a well-known down
town druggist. You dampen
»;>onge or soft brush and draw' It
through your hair, taking one small
strand at a time. This requires
but a few moments, by morning the
gray hair disappears and after an
other application or two is re
stored to its natural color and looks
even more beautiful and glossy than
ever.
SOUTHERN COLLEGE OF MEDICINE AND SURGERY
SESSION 1913-14.
The Southern College of Medicine and Surgery will begin tts 1911-14 ses
sion Monda> September 8. 1*18 with a full staff of paid Professors We have
added a Pharmacy. Post-graduate and Literary School to the Medical Depart
ment thus making the college complete In every sense for the matriculate
in Medicine Vast improvements have been made in the college building.
Including the enlargement of the amphitheater. Chemical. Anatomical. Path
ological. Bacteriological and Histolcgc^l laboratories, with the addition of
our new Hospital, the student will receive bedside training and have an op
portunity of studying different cases in their several phases.
POST-GRADUATE SCHOOL COURSE
Our Post-Graduate School Course (six weeks) !s for the busy practi
tioner who wishes to perfect himself In certain lines of work.
PHARMACY SCHOOL.
The Pharmacy School consists of two sessions, of six months each. at>4
will continue throughout the year the same as the Post-Graduate School. J
For oatalcirue an<j information apply to WM BERNARD LINGO, If D.
Dear. 52-54 McDaniel street, Atlanta. Ga.
Jhe Jcc\c[irccj‘ Irc/Fructor/1
MISS FURL0W ANDERSON
Teacher of Voice and Plano
Studio Wesley Memorial Building.
Room 423.
Studio Phone Ivy 1996.
THIRTY-FOURTH SESSION
BARIU SCHOOL OF MUSIC
Director: Mr. Alfredo Barlll. School
Reopens Monday, Sept. 1, 1918.
Home Studios: 167 Myrtle St., Near
Fourth, ATLANTA, GA. Phone Ivy
3059 -J.
1913-SIXTH SESSION-1914
ATLANTA CONSERVATORY CF MUSIC
MORTIMER WILSON, GENERAL DIRECTOR, WITH A STAFF OF THIR
TY ARTIST-TEACHERS.
Offers a musical education complete from the kindergarten gaums to the
concert stage, under unusual auspices, in commodious and centrally located
quarters, recital hall seating six hundred.
Theory and Composition. Piano, Organ. Voice, Violin, Orchestral Instru
ments, Ensemble Classes, Chorus, Orchestra and Conducting. Private and
public recitals. School of Opera, Languages and the Drama. Concert and
Lecture Bureau Extension. Diplomas of merit only. Expenses the lowest.
Results the most satisfying.
Session: September 2, 1918, to June 18, 1914.
MIDSUMMER SCHOOL FOR MUSIC SUPERVISORS.
Address The General Director, Peachtree and Broad Streets, Atlanta, Georgia.
MISS SARAH ADELLE EASTLACK
School of Expression. Reading (The Spoken Word).
Physical and Personal Culture. Professional Training.
Atlanta Institute of Music and Oratory. 20 E. Baker St. Ivy 6986.
MISS NORA PLUNKETT
MIGS LULA CLARK KING
Teacher of t/oice and Piano
Teacher of Singing.
JAMES C. WARDWELL,
STUDIO: WESLEY MEMORIAL
Associate Teacher and Tenor Soloiet.
BLDG., ROOM 414.
408 WESLEY MEMORIAL CHURCH.
Studio Phone, Ivy 1127.
Studio, Phone Ivy 3513.
Resldenoe Phone, Ivy 2769.
Home, Phone East Point 29.
Teacher of Piano Theory and Harmony
Residence Studio, 52 E. CAIN STREET, Apartment No 4.
BELL PHONE, IVY 1346.
Atlanta’s Leading Violin School
A PRIVATE school of proven ability for the individual training of via-
rtn students from the beginning to the ooncert stage.
419 WESLEY MEMORIAL BUILDING. Prospectus mailed on application.
ERWIN MUELLER, German Violinist
FOUNDED IN 1904.
MISS LILLIAN H. FOSTER
VOICE AND PIANO
Also Sight-reading. Musical
Theory and History ol Music
Residence Studio: 81 Summer Ave.
Phone Ivy 1197.
Studio: Baptist Tabernacle, Luckle
Street. Office: Y. M. C. A. Bldg.
MARY CRAFT WARD
Teacher of Piano
Studios: 325 Peaohtree St. and
Washington Seminary.
PUPIL OF QOOOWSKY
Three Years Berlin end Vlsonsu
ME LODI GRAND PIANO USED.
Anna Rocheleau Burt
VOICE CULTURE AND SIGHT READING
412 Wesley Memorial Bldg. 1 R«*id«mo*
I Cor. Cascade Ace and Beecher St A
BUSH Ac GERTS PIANOS USED
STUDIOS‘[ (
Phono
West U3»
Annie Gartrell Memorial Conservatory of Music
New Location at 506 Ponce DeLeon Avenue.
Young children taken to board Special home oare and every advantage
All grades of city school work specialized, as well as best advantages In aU
branches of music. Large grounds and outdoor games Session, September 1-
May 9 (MISS) LUCY A. OARTRELL, Directress.
Phone Ivy 157-L
WASHINGTON SEMINARY
1374 Peachtree Street, Atlanta
MUSIC FACULTY: Piano, Miss Marguerite Bartholomew. Mra. Mary Oaft
Ward. Miss Eda Bartholomew. Mias Clementine Ma. gregor, Mr* L. D. 8oott.
VOICE: Miss Mary W. Lovelace VIOLIN; Alexander von Skiblnaky PIPK
i ORGAN: Mle* Eda Bartholomew MUSICAL KINDERGARTEN; Miss Pearl
j Rivers. EXPRESSION; Miss Nannie Duncan. ART. Mlse A C. Butler.
Thirty-sixth year begin* September 11. 1913. Music student# ma^
I any time during tejm.