Newspaper Page Text
—
6 D
TVE NftST'S sr.NDAV AMERICAN, ATLANTA, CA , SUNDAY. SEPTEMBER 14, 1913.
b
i/v
G
Mj
C
TIGHTEST OF TIGHT GOWNS
NEWPORT IS STARTLED AGAIN
By MME. HAUTE MONDE
-\ RANTER that th» butterfly Is
jp 1 ha most prominent trimming
feature of the hour, whether on
• mall or larsre hate, the tentlenry Is
toward feathery decorations of va
rlotis types. The ostrich plume Is he
In* used more extensively than for
many years, and particularly by tin
Paris milliners who csater to the
American trade. It. Is ostrich In nil
Its curly beauty that Is used to-da>
the uncurled, draiury looking feather
of the last few seasons having dls
appeared from the new hats. Thes*
mounts of ostrich may he arranged m
the barlt or at the side where tin
brim breaks or eurves upward.
• • •
The newest corsasre sachets—to be
pinned somewhere beneath the trans- \
parent velllnK of the waist—are small I
colored satin hairs Incased In real I
cluny lace cases. The pink, blue or
lavender satin eases are slipped Into
the outer lace rases and fastened
with removable ribbons, so that dlf
form! colored satin cases may be
used It Is not a difficult undertak-
inK to make these dainty corsair© sa
chets at home.
• • •
The demand for fur of every de
scription has brought Into existence
the Imitation for cloths, which are so
cleverly made that It requires a care
ful scrutiny to discover the differ
ence between the broadtail cloth and
the genuine pelt. The mole pelt has
been equally well Imitated, and. like
the broadtail, comes In the natural
coloring, black and green. These fur
cloths are all-silk materials, and,
combined with velvet, make very
handsome street costumes.
• • •
Small clusters of bright-colored,
unnatural looking fruits give the de
sired dash of color to many of the
little hats which tilt over the face
and flare high in the hack This is a
development of the nlntche hat, or
rather, one should say, an adaptation
In onier to make It more becoming
the brim In the front Is broken, as Is
shown In the drawing for unless one
is blessed with the piquant type of
countenance these hats accentuste
one's age. The piquant face, with
small features, such as nine out of
ten French women possess, Is the
only type that looks well In the very
small hats, though many of them are
Imported and worn by Americans who
in other matters of dress have un
questioned taste. The majority of
these little hats are fashioned from
taffeta or velvet.
• • •
Supple white satin 1s the favorite
material of milliners to-day. It Is
combined with linen and with velvet
or moire.
One of the newest face veils Is
made of tine silk tulle In a pale shade
,,f heliotrope with tiny pin dots all
over Its surface.
- Shoe buckles are mounted on strips
of velvet the color of the gown with
which they nre worn. Some are ar
ranged on tongues of plaited velvet.
Buckles made of pale blue, pink anil
yellow satin and chiffon roses are
worn on pale colored satin evening
slippers.
• • •
It Is the fashion to cover the coat
collar with something white, and an
attractive choice Is the negligee 'if
white erepe de rhlne or marquisette,
made In the Robespierre manner and
falling well over the shoulders and
fronts of the coat.
• • •
The skirt In tiers Is a success of
the season. These skirts have taken
the fancy of women—so long vised to
straight or dfhped efTects. Three tiers
Is the favorite style. Plaid materials
are the craze and one sees tiered
skirts with alternate plain and plaid
flounces to the waistline, the hrlght
plaid appearing again as a trimming
on the Jacket.
• • •
Real tortoise shell Is the Ideal thins
for hairpins The present style of
hair dressing demands that several or
these pins should he of the broad
nrk shape and that the prongs should
rather short. 1 have seen these
real tortoise shpll pins Inset with sil
ver with good effect. 1 have also seen
them rimmed in finely cut Jet.
r„r Monde hair the pale shade of
tori" s. shell gives a dainty appear
ance, While red-gold hair looks best
■' v
•/
I :■
i*m*e
mZmt
wm.
f v
l
-' '.#> 4%
9 ■ p |;' ■
<£'< ■ v *
»*N -
■ V.
1M
»v*
A \
** 4
*<.
s •*" /
- VG
M RS. “REGGIE” BROOKS, snapped on a Newport street
as she startled the ultra fashionable residents of that re
sort. She is shown wearing the new minaret gown, which is the
tightest of the many variations of the clinging skirts seen here
tofore.
id m n
Simplicity Will Be Sought, but
Masculine Severity Will Be
Carefully Avoided.
Special Cable to The American.
LONDON. ^ Sept. 13.—At a time
when the newspaper.** are so ardently
and earnestly discussing the new
Paris fashion* of the X-ray gown it
is pleasing to discover that there will
be worn this autumn and winter
other kind.
The Times lias Just published an
article which, to one who has not
been fully Initiated into the mysteries
of feminine apparel, seems to be a
worth wiille diwusslon of the ever
present problem of what may be
called chicneaf*. The Times says:
’‘Quite the most interesting of the
•Fantasies sur le Costume Moderne’
recently exhibited in London by Leon
Bakst *ake the form of a coat and
skirt. Indeed, that Is partly why these
‘fantasies’ are of such Interest to the
practical ntudent of dress.
"For no matter how variable the
modes, the coat and skirt always per
sists; it is only In its precise form
that there Is continual change. Again,
though these drawings are frankly
fantasies, the artlm has expressed in
them the salient points of to-day’s
fashions. The picturesque aspect of
the coat, the importance of the waist
coat. the narrowness and the straight
BESTSOUEEN;
SETS CLCTHES
Plotted With Prince of Wales to
Buy Things on His Account.
Conspiracy Discovered.
M08T CHARMING OF G0WN8
FOR A SEPTEMBER BRIDE
Wonderful Parisian Trosseau Is Being Pre
pared for Miss Marion Glen Coats.
Special Cable to The American.
LONDON. SepL 13.— Prominent
among September brides will be Miss
Marlon Glen Coats, who is marrying
Major Parsons on the tenth. A truly
wonderful Parisian trousseau is be
ing prepared for her, the chief gem
train composed entirely of old French
lace.
Another charming creation is a
gown of fine suede cloth in delicate
champagne color. The skirt falls in
rich sculptured folds around the tall
figure of the wearer and opens slight
ly in a few fan pleats in the front,
while the folds are caught together at
Special Cable to The American.
LONDON, Sept. 13.—Prince Albert,
the King’s second son. the “Sailur
Prince,” is delighted by the hews that,
he will take up his duties as mid
shipman on his majesty’s steamship
Collingwood in ten days.
The prince returned from a six
some smart and chic gowns of an-* months’ cruise on his majesty
steamship Cumberland last July; for
a while everything was just as It
should be In the royal family cirem,
but now r a decided Jarring note !s — , TT
sounding loudl> Prince Alhert, who j P Ol’PlO Ml Hnhh P 311(1
is nearly !S. inherited all his moth- -LvIUbUlU -L1UUU1L dilU
, color of clotted cream, on either side.
The sleeves are innocent of a shoulder
seam, but are, broken at the elbow'
with a line of piping, the long cuff
being split open to show a doublure
of champagne cloth.
Over the square sailor collar la a
second collar of old blue charmeuse
bordered with a strip of skunk fur.
The corsage is a parchment lace with
a shaped band of blue charmeuse.
The bust Is partially hidden by a
dentelle; under this is faintly seen
an embroidery of pale pink rosebuds
and ciel blue threaded ribbon.
A little round hat of black velvet,
which fits w r ell dow'n over the head,
the sides with a silk cord
j Buttoning about the height of the j framing the face, is encircled with
'.*•* knees, the coat is of old blue char- , blue feathers, ending in an upstand-
meuse lined with champagne cloth; ing plume tied near the base in the
there is a light fall of lace, of the I new fashion.
er’s strong-mindedness. Independ- j
ent and intensely keen on work, he
chafes severely under the restraining 1
influence which Queen Mary brings
to bear heavily on her children.
Rebels on Clothes.
One very sore point over wiiich
the prince defied his royal mother
recently concerned the vexed ques
tion of clothes. Albert has jus;
reached the age which pays great
heed to socks, ties and creased trou
sers. Soon after his return he or
dered a new outfit from the tailors
and hosiers who supply the Prince of
Wales.
Wales is allowed to buy such
things for himself now. The arrange
ment was that all Albert's purchase
were to be. put on.his elder brothers
accounts, but, by an error, one of the
bills was sent t:o the King and the
ness of the skirt are well noted. In w'hole conspiracy was discovered,
each the idea is so simple and yet so Youngster Has His Way.
wonderfully effective. Simplicity also I Queen Mary, who had been going
characterizes the decoration. So that i through the pMnce’s wardrobe and
many a couturier wdth a tpo generous j sending various garments to the
bias to ornament might learn from i cleaner, insisted that he wear out his
them some useful lessons In the art old clothes and return the new ones,
of restraint
Slit 200 Years Ago
Scotchman Says Creator’s Work
Should Not Be Concealed From
Admiring Eyes.
CORNKSH. COLO., Sept. 13.—The
arrival of the diaphanous, the hobble
and the slit skirt is the fulfillment of
a prophecy of Sir Charles DePuyster
Goldwin. who lived in Scotland 200
years ago. until he went to London
and the fashions evoked his displeas
ure, according to a manuscript found
to-day by Miss Faith Corson Smith
in a trunk. It is dated November 10,
1704, and, after referring slightly t o
the costumes of men, says:
“Ladies should not be so circum
spect in their dresses, which are cum
bersome. and the long trains which
please their majesties of this year of
our Lord seem to me naught but u
design to conceal that which the
Creator meant should be revealed.
“The best designers, however, have
for the last few years set a ntandard
- , j j „. QO 4^ii v I “Perhaps posterity will learn that
The prince boldly said ^ ‘ there is naught to be ashamed of in
well going: to dress as he liked a no (hat whlch (Jod hath crea ted,
/ould not go about in_p - P| "The Creator never meant men and
In this matter. And. judging from the I rags as David used to—David being women to be so burdened with velvet
new models displayed for the early | the Prince of ^ ales, who was or a • rIbbons> lace and pow d er that H's
be
vhen
th
irrangcd wdth
made of dark t
,ut Jet pins
>rtoise shell In-
Slant of the New
Hot
The majority of the new autumn
hats are squashed down over one
eye, generally the right one, and are
raised high on the other side, show
ing a wide expanse of the hair. This
gives a very Jaunty air to the hat,
which is accentuated by the curve
of the brim and the trimming. The
effect Is rakish, that fact must be
admitted, but these hats are univer
sally becoming, for the large features
Decollete'Still the
Vogue
The sensational success which has
attended decollete styles for day and
evening W'ear has revived many
charming conceits for the fair and
shapely throat.
While ornamentation is not essen
tial for candlelight hours, the V-
shaped decollete for daytime requires
a break in the sweeping new line now
favored.
For this the black velvet bands are
are
well
•rusted with little jet facets
* * •
Velvet ribbons edged with plcot are
now verv much used by the best
Parisian milliners. Some of these
ribbons are very wide, while others
comparatively narrow Individ-
. . , permitted great freedom
season. A Panama would look
If trimmed with win*- red Vel
vet ribbons or with a long length of
velvet ribbon In a strong shade of
►arma velvet
* e e
Trie latest style of hairdressing for
the daytime . ails for a few very good
pins in tortoise shell or dull silver.
Even effort is made to do away with
anything like an artificial appearance
and the woman or girl who can ar
range her hair with a single comb Is
the admired of all.
• • •
Newest shoes may have high Louis
XT heeis, but they have broad soles,
and they are mostly laced up over
l .he ankle*.
• • •
Collarettes of marabou are short
and wide* and finished with a bow
and end* They come in exquisite
chinchilla mixture, a softly shaded
gray and a variety of new Parisian
shade* «
• • •
^lose-fttilng hats, with outstanding
nlng. art* as much in vogue as
The trimming may be either
her. fancy or loo] f I’ll id and
flv* in ! an tactic shape.
American require this | very much favored because of the
of the average
slanting line across the front, with
the height at the side, tending tow
ard the back. Whether the hats Hare
on one side or not. they set low on
the head.
The popular sailor shape is well to
the fore among the new huts, though
shown in many modifications. The
patent leather sailor brought out by
one of the leading Paris milliners is
Mown as a morning • and rough
wear hat at the 4»est shops.
It is quite remarkable to find tulle
as chic as it seems to be. consider
ing that it has been extensively worn
ali summer, yet many of the smartest
fall hats are partly developed in it.
Hither the crown or the brim is of
tulle The newest way of using it on
the brim is in a triple effect; each
fold is wired and thus separated,
making the three-tier efTeot notice
able. The high ruches or collars of
tulle are shown on some of the latest
hats, the edge being outlined with a
narrow band of fur.
The touch of fur on the hat is be
coming as universal as it is on the
gowns, and it use Is likely to increase
as the season advances.
• • •
Rough-surfaced cottons closely re
semble their woolen prototypes, and
they are likely to be worn well into
autumn Cotton aponge cloths, cot
ton plushes, cotton velvets, it is pre
dicted. will be worn throughout the
winter.
flattering eff?ct on the skin; how
ever, becoming colors in harmony with
the gqwn or its accessories are equal
ly favored. The soft, pastel tints, as
a rule, are more becoming than the
brilliant shades.
There are two styles of bows used
as a finish for the velvet band.
One ia a flat, tailored pump bow
and the other is a pert affair, shaped
like a butterfl>. Tue center Illustra
tion shows tin* former style. In the
right corner another treatment of the
velvet throat band is seen in the
shaped, pendant ends studded with
gold beads on a foundation of gold
thread lattice work.
White crystal beads and pearls
would be effective in a simple design
forming a flower motif or mime formal
as a bowknot or classic wreath.
The velvet band is enlivened with
charming Jeweled pendants which add
another coquetry to the list of baubles
now fashionable.
These pendants partake of fanciful
forms as wee baskets of flowers in
graceful shapes, butterflies, bowknots.
bird and insect designs, together with
the delicate French patterns which
are especially admired.
Hip sashes appear on most of the
new dresses; they offer an oppor
tunity for introducing color or con
tras: of shades and materials In the
dresses.
autumn, they still maintain this ideal.
Not for the first time do we see that
because the coat is perfectly cut and
the skirt cleverly arranged a smart
effect 19 obtained. In many instances,
however the waistcoat is extremely
decorative, a beautiful brocade being
considered none too luxurious a ma
terial for this detail.
Skirts Not to Be Wider.
“Meanwhile let no optimist hope
for a widening of the skirt. For,
though It Is possible that Paris may
exert her influence In this direction
when October is here, she seems at
present to he taking an impish de
light in flouting those who criticise
the scantiness of the season’s models
by giving the new 7 models an even
narrower effect than any which have
preceded them. This is made possi
ble in some instances by the manner
in which the fronts are crossed, and
without seam, for plenty of freedom
is thus insured with the narrowest
possible appearance.
“One very attractive dre*rs carried
out In this way in dark blue chiffon
velvet is everywhere outlined with
narrow embroider*- in silk soutache.
And In this way the lines of the
crossing in front are naturally em
phasized. In the model a V-shaped
opening anpears In the center, imme
diately above the feet. Just as it occurs
in more than one of the ‘fantasies;’
but this can easily be avoided, or a
simulated underskirt of satin or taf
fetas arranged beneath it.
"The same Idea expressed in ablacK
moire taffetas is still more deserving
of notice, because the latter promises
to be a very popular material in the
early autumn. The lines of the coat
nre also particularly pleasing. For
the back, which is rather longer than
some have been of late, falls grace
fully from the shoulders, and is
rounded in the basque; but the fronts
are crossed and tucked into a wide
belt of black chiffon velvet. The lat
ter is fastened beneath the basque at
the back and falls in one
long tasseled end almost to
the hem of the skirt. Quite
a simple blouse in white mousscline
is worn with this dress, and its long
sleeves are carried over the w*rist just
as are those of the coat.
A Cerise Colored Waistcoat.
“The manner in which this coat Is
finished, with the front of the coat
finished by the belt at the waist,
precludes the introduction of a waist
coat. But many another model, de
signed in this black moire taffeta, is
arranged with a waistcoat, and it
gives opportunity for the introduction
of color. For instance, one famous
dressmaker has just finished a dress
of this material with a waistcoat of
cerise colored velvet. The coat is
sloped away in front, and the waist
coat, which is cut very low, is crossed
and fastened with one button, and Is
then carried down to two points be
low* the waist. Above the waistcoat
appears the chemisette of white tulle,
very finely tucked, fastened w*ith
small, round pearl buttons and turn
ed back in a little V opening at the
throat.
“The picturesque note which has
recently characterized the coat-and-
skirt intended for full dress occasions
Is still maintained. Everything that
Is stiff and formal is avoided. Even
when a coat is girt with the wide belt
which might easily endow it with a
rigid appearance, care is taken that
the belt shall be draped with an ef
fect of studied carelessness. The
tunics, too. with which many of these
dresses are designed, serve to empha
size their picturesque character.
Masculine effect Avoided.
“Again, the waistcoat is often ar
ranged in the most unexpected man
ner. Sometimes it is a mere con
tinuation of the revers very cleverly j
contrived. But, w hatever be the idea,
it never savors of the severe, such as
distinguished the woman's w*aistcoat
of twenty or thirty years ago. Some
times. too. the contrast between the
materials of the coat and the skirt
achieve picturesque results. And
never is the effect more striking than
w hen the skirt is of cloth and the
coat of white or cream tulle. The
taste for such a combination of ma
terials is essentially French.
“But even when designing the sim
pler coats and skirts, the couturiers
are careful to avoid the severity
which once characterized every cos
tume tailleur. To-day this Is re
served entirely for the Scottish
tweed or homespun designed for the
sportswoman. In every other instance
there is at least some note of ease in
the skirt, which differentiates it at
once from that masculine appearance
which formerly characterized dress of
this type."
handiwork should be concealed or
very submissive nature. /
In the end Albert distorted, and it may be that in a
way. this being the flr. t t e Q - dozen score of years peoples of the
Mary has been known vvor i d will grow weary of these late
w-orsted. | changes, which are only worse than
were their immediate predecessors.”
Communion Denied M , n ,
London Society Will Wear Oriental
Charms, Too, of Amethyst, Tor-
quoise and Onyx.
Pastor Denounces Modern Gowns as
Monstrosities in Sermon to
Congregation.
NEW BRITAIN, CONN., Sept. 13 -
Rev. H. T. Walsh, pastor of the
Church of Our Lady of Mercy, an
nounces to-day to his congregation
that he will refuse to ser\ e c ornmun i ^ platinum will be fashionable this
ion to women who approachl the'altar I seas * n Blark
opals are second fa-
wearing slashed or diaphan s • ; vorites. Pendants are taking the
Such women are also p * place of necklets. Earrings have long
from visiting the parochial residence. * i , b
' W “i“ h ^ modern I ™^ K “roesus stone, afire
Special Cable to The American.
LONDON, Sept. 13.—Moonstones In
early Celtic mountings of gold, silver
Father Walsh denounced modern
gowns as “monstrosities,’’ and said
that while once knights would give
up their lives, If necessary, for
women, to-day m**n in general are
disgusted with the immodest attire
in which some who call themselves
ladies appear.
Lost Switch While in
Surf; Sues Hotel Man
Brooklyn Girl Claims Damages for
Embarrassment While Bathing
at Coney Island.
opal from the mine in Asia Minor
that King Croesus Is said to have
worked, is being worn a good deal.
Women with a taste for the Ori
ental are adorning themselves with
charms suspended from a long neck
chain. They are carved out of
amethyst, turquoise, onyx, lapis
lazuli and other stones, and repre
sent peacocks and elephants and
strange Eastern beasts.
Sued Because He Did
Not Like X-Ray Skirt
Young Wife Wants Divorce From
Aged Millionaire Hotel Man on
Account of Style.
RAN JOSE, CAL.. Sept. 13.-—Be
cause he disapproved of diaphanous
skirts and she had modern tastes, Mrs.
Bertha C. Hanscom, 30 years old. and
pretty, has brought suit for divorce
against James D. Hanscom, 60 years
old, and a millionaire hotel man of
this city.
Six Midinettes of Famous Paris
Establishment Finish Fashion
able Gown in Tube.
Special Cable to Tha American.
PARIS, Sept. 13.—On a bet six mid
inettes, belonging to a famous Paris
dressmaking establishment, cut out
and made a fashionable dress during
a Journey of twenty minutes In &
tube train. The dress is of pink chif
fon, designed In the latest style, with
a draped tunic and lavish ornamen
tation.
The design was submitted to the
midinettes as they boarded a train on
the Metropolitan Railway at the Porte
d’Orleans station. As soon as the
train started the six girls fell to
work. Each had a particular task.
One of them made a sleeve, another
the other sleeve, another the bodice,
a fourth the skirt, while the flfth and
sixth afTlxed hooks and eyes and at
tached trimmings.
Half way through the last tunnel
the flna.1 stitch was put in, and as the
train drew up at the terminal sta
tion at the Porte de Clignacourt the
girls stepped from their seats and
held out the finished dress with a
shout of triumph.
The ]ecXcfiTxf Jra/frucfor/ i
MISS FURLOW ANDERSON
Teacher of Voice and Pfano
Studio Wesley Memorial Building.
Room 423.
Studio Phone Ivy 1996.
THIRTY-FOURTH SESSION
BARIU SCHOOL OF MUSIC
Director: Mr. Alfredo Barlll. School
Reopen* Monday, Sept. 1, 1913.
Home Studios: 167 Myrtle St., Near
Fourth, ATLANTA, GA. Phone Ivy
3059-J.
$500 a Pound Price
Of White Human Hair
1913-SIXTH SESSION-1914
ATLANTA CONSERVATORY OF MUSIC
MORTIMER WILSON, GENERAL DIRECTOR, WITH A STAFF OF THIR
TY ARTIST-TEACHERS,
Offers a musical education complete from the kindergarten games to the
concert stage, under unusual auspices, In commodious and centrally located
quarters, recital hall seating six hundred.
Theory and Composition, Piano, Organ, Voice, Violin, Orchestral Instru
ments, Ensemble Classes, Chorus, Orchestra and Conducting. Private and
C blie recita's. School of Opera, Languages and the Drama. Concert and
cture Bureau Extension. Diplomas of merit only. Expenses the lowest.
Results the most satisfying.
i^ssion: September 2, 1913, to June 18, 1914.
MIDSUMMER SCHOOL FOR MUSIC SUPERVISORS.
Address The General Director, Peachtree and Broad Streets, Atlanta, Georgia.
MISS SARAH ADELLE EASTLACK
School of Expression. Reading (The Spoken Word).
Physical and Personal Culture. Professional Training.
Atlanta Institute of Music and Oratory. 20 E. Baker St. Ivy 6986.
Warm Titian Glow Is Shade Next in
Demand, Say Toupee
Makers.
NEW YORK. Sept. 13.—Miss Sadie j
Ber^nzweig, nineteen years old. of |
No. 738 Myrtle avenue, Brooklyn, is
suing Samuel Stitch, a Coney Island j
hotel proprietor, for damages because
of embarrassment caused by the loss Special^ Cable to The American,
of her $35 charmeuse dress and $5 LONDON. Sept. 13. Pure white
switch human hair is quoted at $500 a pound.
They were left by her, she told “Give us hair,” cry the bald. “Give
Judge Richards yesterday in the us gold.” retort those who possess
Gates Avenue Municipal Court, in a I ‘woman’s crowning glory.’
room in Stitch's hotel when she went Some offer their locks by-the foot
In bathing last Sunday. Three com- ! to the dealers; others demand $-5,
panions suffered other losses. $50—almort any extravagant price.
Stitch offered them some of his Many women sell their "combings ’ to
clothing, but they sent home for the be made into toupees and fringes,
needed things. The case will be Next to snow-white hair that with
heard on Tuesday. | the warm “Titian glow" is rarest.
MISS NORA PLUNKETT
Teacher of Voice and Piano
STUDIO: WESLEY MEMORIAL
BLDG., ROOM 414.
Studio Phone, Ivy 1127.
Residence Phone, Ivy 2769.
MISS LULA CLARK KING •
Teacher of Singing.
JAMES C. WARDWELL,
Associate Teacher and Tenor Soloist.
408 WESLEY MEMORIAL CHURCH.
Studio, Phone Ivy 3613.
Home, Phone East Point 29.
Miss Martha Hudson
Teacher of Piano Theory and Harmony
Residence Studio, 52 E. CAIN STREET, Apartment No 4.
BELL PHONE, IVY 1346.
TURKS ITS NATURAL
AFTER APPLYING SAGE TH
Atlanta’s Leading Violin School
A PRIVATE school of proven ability for the individual training of vio
lin students from the beginning to the concert stage.
419 WESLEY MEMORIAL BUILDING. Prospectus maned on application.
ERWIN MUELLER, German Violinist
FOUNDED IN 1904.
Mixed With Sulphur It Darkens
Beautifully and Takes Off
Dandruff.
Almost everyone know* that
Sage Tea amt Sulphur, properly
compounded, brings back the nat
ural color and luster to the hair
when faded, streaked or gray; also
cures dandruff, itching scalp and
•tops falling hair. Years ago the
only way to get this mixture was to
make it at home, which is mussy
and troublesome.
Nowadays skilled chemists do
this better than ourselves. By ask*
ing at any drug store for the
?ady-to-use product—called ‘'Wy
eth’s Sage and Sulphur Hair Rem
edy”—you will get a large bottle for
about 50 cents. Some druggist*
make their own, but it’s usually
too sticky, so insist upon getting
“Wyeth’s,” which can be depended
upon to restore natural color and
beauty to the hair, and is the best
remedy for dandruff, dry, feverish,
itchy scalp and to stop falling hair.
Folks like “Wyeth’s Sage and
Sulphur” because no one can pos
sibly tell that you darkened your
hair, as it does it so naturally and
evenly, says a well-known down
town druggist. You dampen h
sponge or soft brush and draw it
through your hair, taking one small
strand at a time. This requires
but a few moments, by morning the
gray hair disappears and after an
other application or tw*o Is re
stored tb its natural cHlor and looks
even more beautiful and glossy than
ever.
MISS LILLIAN H. FOSTER
VOICE AND PIANO
Also Sight-reading, Musical
Theory and History of Music
Residence Studio: 81 Summer Ave.
Phone Ivy 1197.
Studio: Baptist Tabernacle, Luckle
Street. Office: Y. M. C. A. Bldg.
MARY CRAFT WARD
Teacher of Piano
Studios: 325 Peaohtraa St. and
Washington Seminary.
PUPIL OF GODOW8KY
Three Y»ara Berlin and Vienna.
MELODIGRAND PIANO USED.
Anna Rocheleau Burt
VOICE CULTURE AND SIGHT READING
412 Wetley Memorial Bldg. T Rorid.
studios|
Cor. Cascade Ace and Beecher
BUSH & GERTS PIANOS USED
.Vf.}
Phono
W«il lit*
SOUTHERN COLLEGE OF MEDICINE AND SURGERY
SESSION 1913-14.
The Southern College of Medicine and Surgery will begin Hs 1911-14 ses
sion Monday September 8. 1918 with a full staff of paid Fr°fes*ors We have
added a Pharmacy, Poat-graduate and Literary School to the Medical Depart
ment thus making the college template in every sense for the matriculate
in Medicine Vast improvements have been made in the college puna mg.
Including the enlargement of the amphitheater. Chemical. Anatomical, Path-
ological. Bacteriological and Histological laboratories; with the addition of
our new Hospital, the student will receive bedside training and have an op-
nortunkv of studvlng different cases In their several phase*.
POST-GRADUATE SCHOOL COURSE
Our Post-Graduate School Course »six weeks) is for the busy practi
tioner who wishes to perfect himself in certain lines of work.
PHARMACY SCHOOL.
The Pharmaov School consists of two sessions, of six months rack, »n4
will continue throughout the rear the same “ the Port-Gniduate SchooL
For catalogue and information app V to WM BERNARD LINOO. M D.,
Pear 52-54 McDaniel street. Atlanta. Ga.
Annie Gartreil Memorial Conservatory of Music
New Location at 506 Ponce DeLeon Avenue.
Young children taken to board. Special home care and every advantage
All grades of city school work specialized, as well as best advantages in aJU
branches of music. Large grounds and outdoor games. Session, September 1-
May 9 (MISS) LUCY A. GARTRELL, Directress
Phone Ivy 157-L
WASHSNGTON SEMINARY
1374 Peachtree Street, Atlanta
MUSIC FACULTY: Piano. Miss Marguerite Bartholomew. Mrs. Mary Graft
Ward. Miss Eda Bartholomew. Miss Clementine Macgregor, Mrs L. P. Soott
VOICE: Miss Mary W. Lovelace. VIOLIN; Alexander von Skibinsky PIPR
<»RGAN: Miss Eda Bartholomew MUSICAL KINPERGARTEN; Mima Pearl
Rivers. EXPRESSION: Mis- Nannie Duncan ART: Miss A. C Butler.
Thirty-sixth year begins September 11. 1913. Music itudenta m*y t<T-
I any time during term.
mm -